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Werewolves in Siberia launch TWO Releases in Two Weeks!!

rsz_wis1 rsz_wis2Two releases in two weeks!

As a follow-up to January’s DeathRace 2000-inspired “Transcontinental Road Race”, Werewolves in Siberia is back with two brand new EPs.

The first EP, entitled “Abyss”, takes you to the depths of the unknown with two new synth-driven tracks.  Escape the impending apocalypse of the outside world and get lost in the aquatic atmosphere of the Abyss.  It hits for free download Friday, April 14 on the official WIS Bandcamp page.

One week later, April 21, the next EP drops.  “In Memoriam” will also be available for free download on the Bandcamp page.  With themes for the Monster Guys and Bazaar Cast podcasts, songs inspired by Fangoria and Famous Monsters of Filmland magazines and an 80s-style horror hip hop song inspired by the Ghost Brothers TV show, this EP is more of a tribute to some horror icons and up-and-comers in the horror/paranormal realm.  Don’t expect anything less than other WIS releases, though.  There’s plenty here to sink your teeth into.

WerewolvesInSiberia.bandcamp.com

The New Album from Werewolves In Siberia ‘The Dead House’ Has Landed!!

The new full length album from the master of horror inspired dark electro-synth soundscapes WEREWOLVES IN SIBERIA has landed!

wislogoFor those who do not know, Werewolves in Siberia is a one man project from Chris Cavoretto that takes the listener into a horror film through his music , WIS have two previous full length releases Beyond The City Of The Dead and the début The Rising . Likened by many (including myself ) to the great JC (that’s Mr Carpenter) Werewolves In Siberia immerse you into a horror soundscape reminiscent of the great horror films from the late 1970s and early 1980s, you can sit back and allow ones mind to drift into the scenes that Chris sculpts through his music.

The Dead House was released 18th September 2015 and takes Werewolves In Siberia onto another level. This is a full on concept album and details are below. But enough to say that The Dead House takes you on a trip to the best places in horror, it draws you in then padlocks you to the old rocking chair in Grandma’s bedroom. There is no escape. It is atmospheric, haunting and just plain stunning.

I never meant to review The Dead House as Chris is a regular UK Horror Scene contributor and this could be seen as nepotism by some, so this is not a review but FUCK IT – Werewolves In Siberia are a force in horror music and should be listened to. This music needs your attention, it is not for listening to on a commute but more in moments of quiet contemplation where the mind can wander to the places WIS want to take you.

Chris Cavoretto is a multi-talented individual who has found his calling and that calling is Werewolves in Siberia.

The Dead House is available NOW and get this, it costs the princely sum of $3 . SO buy it, listen and enjoy but above all tell other people about Werewolves in Siberia and support talented indie artists.

Buy The Dead House here – http://werewolvesinsiberia.bandcamp.com/album/the-dead-house

wisdhThe story of The Dead House:

It all came crashing down after Louis quit. His sobriety wasn’t enough to cure the damage he’d done to Elaine. It was time to make a new start, build their marriage again, brick by brick. Then, Elaine inherited her grandmother’s country home. The foundations of that dusty old house could provide the foundations to their clean new life together, but then the voices started. The hell inside his head had found a new home.

About Werewolves in Siberia:

For the follow-up to 2013’s “The Rising” and 2014’s “Beyond the City of the Dead”, Werewolves in Siberia offers up the story of “The Dead House”. Not satisfied with sounding like every other popular synthwave artist, Chris Cavoretto, the man behind Werewolves in Siberia, continues to evolve the project through experimentation. Blending the ideas of 70’s and 80’s horror scores with elements of punk, metal and hip-hop, Werewolves in Siberia’s style stands alone.

In 2014, Werewolves in Siberia grabbed the attention of Fangoria Magazine. The horror magazine kingpin started a new horror music label, Fangoria Musick, and released “Dawn of the Flesheaters”, an exclusive collection of songs from the first two albums.

“Imagine John Carpenter’s signature fat, deep analog electro synth sound thrown into an aural blender and fed to a cyborg lycanthrope. You have the basic idea of how WEREWOLVES IN SIBERIA sounds. Seriously, the band sounds like that.” -Fangoria Magazine

There is no evidence of Werewolves in Siberia slowing down heading into 2016. First up, special Halloween-themed covers. Then, a collection of rarities on Fangoria Musick, an original 7″ and a slasher comic soundtrack.

Please click on the links and support indie horror!!

WIS Bandcamp Music – http://werewolvesinsiberia.bandcamp.com/music

WIS Bandcamp Merch – http://werewolvesinsiberia.bandcamp.com/merch

WIS Website – http://werewolvesinsiberia.com

WIS Facebook – https://www.facebook.com/WerewolvesInSiberia

WIS Twitter – https://twitter.com/werewolves_i_s

 

Calabrese “Lust for Sacrilege” album review & interview

CALABRESE-Lust-For-Sacrilege-UK-Tour-2015-AD-MAT-With-DatesCalabrese “Lust for Sacrilege” album review & interview

Phoenix, Arizona’s Calabrese have been making horror-themed rock and roll for over a decade now. They released the Midnight Spookshow EP in 2003 and have since released six full length albums. In the early years, the band had a slew of fun horror punk songs on each album. The last few years, they’ve still got those but the band’s tone has gotten a bit darker, a bit more serious. Most bands probably couldn’t pull this off. Calabrese, however, have done a great job of it and keeps you interested every step of the way. If Born With a Scorpion’s Touch grabbed you, Lust for Sacrilege will blow you away.

The album starts off with “The Dark is Who I Am”. It’s a brooding intro that would make Type O Negative jealous. Later in the album, they bring that Type O vibe back on the title track. For “Lust for Sacrilege”, lyrically, it feels very “Christian Woman”. Musically, it feels 100% Calabrese. I’d have to say, even those who aren’t Type O fans should be feeling these songs.

There are definitely songs that have that classic Calabrese sound. “Down in Misery”, “Teenage Crimewave” and “Lords of the Wasteland” are proof they haven’t forgotten where they came from. The songs are never boring or feeling like I’ve heard it for five albums already. The guys just keep on kicking out greatness.

“Flesh and Blood” is a song that really sticks out. It’s in the same vain as “I Wanna Be a Vigilante” and “There is an Evil Inside” from Born with a Scorpion’s Touch. It’s slower. It’s broodier. It’s deeper. Much like the first time I heard “Evil Inside”, the song was instantly stuck in my head for days. This is the kind of song I fear might push longtime fans away but I hope will elevate them to the next level like it should. It’s not a change for the sake of trying to do things differently. It’s just a truly great song.

There are two things I noticed about “Wanted Man” and “Serpentflame”. Oddly, I get the same thing from both of these songs and they’re back to back on the album. The first thing isn’t so weird; it’s that they both have a heavy Danzig II vibe in the main riff. The second thing is the odd one. The choruses of both songs have a sort of Nirvana chord progression. It makes for an interesting listen but both songs still feel like Calabrese the whole time and neither of the things I mentioned are in any way meant to diminish how good both of these songs are.

Calabrese lets more of their old school, hardcore punk influence out in “Gimme War”. Lots of fast guitars, “woah” choruses and a Misfits-style solo are all included. This one really gets the blood flowing. It also keeps you feeling like Calabrese haven’t strayed from their roots. It also sets up the super-brooding “New York Ripper” perfectly.

They close the album with the biggest departure from anything they’ve done that I can think of. “Drift into Dust” is an acoustic track with an intro guitar sounding very much like that of the one on Danzig 5’s “Come to Silver”. The Danzig influence is all over this one and it definitely breaks any idea of how you think Calabrese will end an album. It’s a slightly odd ending, but it feels right for them to have gone this route.

My overall assessment of this album is that it’s sure to be a top contender for best rock album of 2015. It’s hard to pick a favorite Calabrese album but this one doesn’t disappoint in the least. It’s not as much horror-oriented as maybe just a really dark album, but it makes for great listening.

Lust for Sacrilege score:
9 out of 10

Bobby Calabrese rocking his face off

Bobby Calabrese rocking his face off

Now, onto my interview with Jimmy, Bobby and Davey Calabrese. Keep in mind the vibe here is all in good fun and these are good guys. There were even moments where they stopped and talked with fans who came up to say hi. Calabrese make a point to get to know their fans and let them in on their own stuff, as well. While we were wrapping things up, a fan even brought them a pizza because, if you follow these dudes on Twitter or Facebook, you know they love pizza.

Calabrese @ The Crazy Horse – Boise, Idaho, USA (Jan 29, 2015)

C- You’ve only been on this tour a couple weeks now but how has it been so far?

B- It’s been cool.
D- Successful.
B- Very successful.
J- Worst tour ever. (laughing)

C- Are you hitting more cities that you haven’t been to much and seeing more people coming to the shows, in general?

J- Yeah. Hitting a lot of North Carolina. We haven’t been there. And like, here, in Boise. It’s the second time. Last night, Spokane for the second time. So, yeah, and a lot of new faces, new people who heard about us from just two albums ago, Born with a Scorpion’s Touch. So, that’s pretty cool. They don’t know the back catalog. But, yeah, new people, new fans so the plan’s working.

C- What’s the toughest thing for you guys about being on the road promoting a record?

D- Driving. I don’t do any of it. (laughing)
B- Lack of sleep. That sucks.
J- Yeah, ditto on the sleep. That’s the worse part. If there’s not enough sleep, that kind of sucks but everything else is cool.
B- Just drink beer, you’ll be fine.

C- Did you guys play in other bands before Calabrese?

B- Not really. Nothing serious.
J- Yeah, but nothing really mentionable.
D- No.

C- I’ve followed you guys for about 10 years, since 13 Halloweens. What really grabbed me about it was that in a sea of horror bands that either sounded like old Misfits or new Misfits, you had your own sound. Was that the goal when you started the band?

B- Yeah, probably. Although, I mean we were influenced by The Misfits and all that stuff but they weren’t the end-all, be-all. There were so many other influences at the time. Maybe it helped with two vocalists. Maybe that helped mix it up. Instead of one guy trying to act like Danzig, there’s two. (laughing)
J- Yeah, I think that’s the key. All the different influences. Maybe all those other bands were just trying to be The Misfits and we were trying to be all these different kinds of bands.
B- Yeah, we were way into surf rock. You could hear a lot of that, probably. Man or Astro-Man… there was a lot of different stuff we were listening to back then, so I don’t know. (laughing) Weird.

Calabrese intro backdrop

Calabrese intro backdrop

C- I’ve found most horror rock fans are into the fun stuff like The Misfits, the serious stuff like Danzig and a lot in between. There’s a lot they listen to. But… it’s also general human nature to hate it any time a band changes things up. On Born with a Scorpion’s Touch, the feeling was a lot deeper than previous albums. That continued on Lust for Sacrilege. Were you worried that fans might not like it or did you figure it’s just where you need to go with it? I mean, it’s not a complete departure. It still sounds like Calabrese but it’s a lot more mature than the first four albums.

B- I think with some of the songs it was like, “this might be kind of weird,” but it’s not one of those things where we purposely went in and said we were gonna change it and screw with everyone’s minds. It was just the way it came out. And you know, that’s all we shit out, that’s all you get, you know?
D- Haters gonna hate. And no matter what you do, there’s always gonna be someone hating it.

C- I can definitely say, I’ve read quite a few reviews and I haven’t read anything bad about the new album.

B- (laughing) It only took five albums.
J- For Scorpion’s Touch, when the sound started to change, or mature, I think once we had it, I was a little nervous for the core fans because even with They Call Us Death, there were some people. But, I guess with They Call Us Death, it was harder and some people didn’t get it but they still liked it. Even though we were kind of worried about it, in the grand scheme of things, it seems like our fans are pretty much accepting of stuff. It was like, we had no choice. That was the music that was coming out so that’s how we were gonna go.

C- As far as the new album goes, I hear a lot of influences in there while keeping the Calabrese sound. I hear some Type O Negative in the opening track, some Danzig (especially Danzig II) and even a few chord progressions that are reminiscent of Nirvana to me (I get some woah’s from the guys on that one. Don’t think that was an influence, just something I got a few places) . What bands were the biggest influences while writing this record.

B- Nirvana baby! No… Obviously Type O, like you said, and Danzig. A lot of metal. We were listening to a lot of metal, like Mastadon. What else?
J- Black Sabbath. We were listening to a lot of that for like the piano parts. Believe it or not there’s like a piano, Goblin-esque kind of riff in one of the Black Sabbath songs. But, we’re letting a lot of the metal influence come through and like the darker stuff. We’ve done all the straight up punk stuff so new we’re just kind of exploring the other kinds of music we all liked. That’s the thing, too, we all still have the same influences. There are core ones we can all agree on and that’s the kind of stuff that comes through.
D- I got something to say, you guys keep taking this up… (laughing) Chris Issak… they’ve got the hard bands in there, but there’s some Chris Isaak and Roy Orbison. Some Joy Division in there. Some of that stuff, too.

Calabrese singalong

Calabrese singalong

C- On social media, it looks like you guys get home from a tour and just immediately start writing music and recording. What is it that you guys actually do? Do you relax a bit or take time apart?

J- Yes. At least a week, we stay away from each other.
D- We love to make music videos and give the fans a visual. We’re always working.

C- You guys have gone from being a local Arizona band to what many consider one of the premier horror rock bands in the U.S., maybe even the world (they’re laughing at the thought of this but I think it’s true)… and it seems you’ve done it all yourselves. Obviously, the music has a lot to do with it but it takes more than that for people to actually take time to pay attention and listen. What do you attribute to the getting the following you have?

B- Longevity! I don’t know, last band standing. (laughing) We’re the last ones, so we win by default. (laughing)
D- A lot of bands have fell baby!. (laughing)
B- We stayed the longest, we win the game. (more laughing)
J- I think the internet revolution really helped us out and the fact that we have a lot in common with our fans. We try to treat fans as friends. I remember some of our first shows in a place called The Fix in Phoenix, I was talking to the owner/promoter and he was telling a younger band like, “see what Calabrese does? After the show, they go out and shake hands, give everybody hugs? That’s what you guys’ve gotta do.” Because the kid was complaining about like ‘why don’t we have a following yet?’ So, that’s just something that, I guess, just being young kids at bars and people are always like drunk and like touchy-feely. It’s like, ‘oh that’s cool’ and we’ll hug back and pretend we’re drunk and everyone’s our best friend and it seems to work. They become our friends. Those seem to be the most dedicated fans… the ones that get to know us and we get to know them. It’s like we have like a cult following going on.

C- You guys are really active on social media. You actually follow people back and talk with the fans on Twitter. Do you think this has helped keep people feeling like they need to keep up with what you’re doing and going to shows when you come to their town?

B- Yeah, probably, maybe. It kind of seems like when you become friends with everybody, if they don’t come to your shows then they feel like they let their friend down or something. I don’t know. We’ve only done it one way so if we did it the other way, I’m not sure it would work. I just don’t know.
J- Yeah, it’s just what we do.

C- You toured the UK a couple years back. How many times have you been and how was the experience?

J- Actually, we haven’t been to the UK, yet. Just Germany. We were close, but just Germany.

(this is where everyone judges me thinking that I think Germany is in the UK, I swear, I thought they went to the UK though and not Germany)

D- This is our first headlining tour in the UK coming up. Headlining… emphasis. (laughing) So, it’ll be great.
J- We’re super stoked.
D- We’ve been hearing they’re selling a lot of tickets so it’ll be good to get out there.

Calabrese singing

Calabrese singing

C- What can people expect to see on this tour?

B- Music… live music and entertainment. (laughing) Just a live, loud, fast show. A lot of the new songs. A lot of the old songs. Just blistering rock and roll.

C- Since this interview is for UK Horror Scene, let’s talk horror. What are some horror movies that get you ready to write new material?

D- I like comedies. (laughing) Any kind of comedy. Horror comedy, this and that… whatever…
B- You know, there’s so much Hammer horror. There’s so much of that and I still haven’t seen a ton of it but that stuff’s pretty cool. Pretty artsy stuff. And some of the Italian stuff. There’s so much that it’s all I’ve got left.
J- The Italian stuff is more artistic, like Argento, so you can kind of loosely base lyrics off of the images and it’ll sound more creative than just straight up…
D- (breaks into song singing “Frankenstein, Frankenstein”)

C- Can each of you name one favorite horror movie?

D- Army of Darkness
J- I thought it was Halloween, then I rewatched that. It used to scare the crap out of me and I watched it a few months ago, it was like damn, it didn’t quite hold up. The one movie I watched the most, I better not watch it again, it might not hold up, but Dead Alive.
B- What do I like, I guess I’d have to go with Near Dark or something. Just ‘cause I haven’t seen it in awhile. It was good though. Good vampire shit, man. Cool.

C- If each of you were a horror movie killer, who would you be?

J- I’d be Freddy Krueger.
D- You’re a molester?!
J- It’s only implied…
C- As long as we don’t go with the remake, it’s only implied.
J- Yeah, I didn’t like the remake. It was useless.
C- We won’t even get into remakes because I’ll dominate this thing with how much they all suck.
J- It was just a waste. So Stupid.
B- I guess anyone, like Freddy, who got away. Whoever got away. I’ll do that. I don’t want to be one who died.
D- I’ll be one of the Lost Boys because they killed too.
B- But they died.
D- Ah, whatever…

C- What would you consider the biggest milestone for Calabrese to date?

J- Crazy Horse, Boise, Idaho… interview with Chris for UKHorrorScene.
D- Wait, this is Rolling Stone, correct? (laughing) UK Rolling Stone…
D- Oh wait, a million view on You Tube. That was cool.
J- I guess going back to one of our first times ever playing out of town. It was at a dojo in Salt Lake in like a boxing ring and they took off the ropes and the people there were singing along. That blew me away that these people knew our songs and we’re from out of town. I think that was awesome.
B- Meeting Eerie Von. We met almost every single one of the Misftis. Eerie Von, Chudd, Jerry.
D- He’s not a Misfit…
B- Chudd’s a Misfit…
D- Eerie’s not…
B- (laughing) Everyone under the Misfit umbrella. The only one that’s left is Danzig. We’ve gotta meet Danzig.

Jimmy Calabrese singing

Jimmy Calabrese singing

C- My wife and I actually talked about this earlier. I thought your response was going to be playing with The Misfits..
D- Oh! Yeah, it was alright… (laughing) Now if we went on tour with them, that’d be something!
J- There was like one show.
B- ‘Zig… that’d be something.
D- A world tour with ‘Zig…

C- Hold that thought… next question: Is there anything that could trump your previous high? Something that would just be the ultimate high?

D- Being a household name…
J- It would be awesome if we partnered with Mr. Glenn, you know how he wrote a song for Johnny Cash and Roy Orbison. He takes us under his wing, his dark wing, his black wing and let’s us feed his cat under the stained glass windows in his house. It would be cool working with Danzig in any respect.

C- What can your fans expect next from you guys?

D- More music videos.
J- Expect… the unexpected.
B- I guess more music videos, a couple more tours
D- …with Danzig
J- We’ll take Doyle too.
D- Danzig and Doyle together.

C- Before we’re done here, the big question my wife wants to know is: what’s the laundry situation on tour?
(My wife: How often are you guys doing your laundry?)

D- Every six days or so.
J- I usually do laundry once a week. Actually, we just did laundry… yeah, it’s been about a week and a half.
C- I haven’t noticed any weird odours coming from you guys.
J- No, we wear our leather jackets so you can’t really tell.
B- I only own one pair of underwear.
C- Do those get washed once a week?
B- No… I just wanted to throw that out there.

C- Anything you want to tell the UK fans?

J- Please come out to the shows. We’re gonna give you a kick ass show and rock your fucking face off. Be there!
B- If you don’t have the new album, Lust for Sacrilege, get it.
D- We’ve got Lust for Sacrilege out, get it from Amazon, iTunes, CalabereseRock.com, SpookshowRecords.com – See you soon…

This whole interview could’ve gone out as a podcast. The banter between these brothers is fun to listen to, let alone be involved in. I won’t lie and say I’m an outgoing guy, by any means, but Calabrese are easy to talk to. They love their fans so when they come to your town, go see them, say hi, buy some merch, bring them some pizza and, don’t forget, they’re huggers…

UK Tour dates and info:
Apr 24 @ Barfly – London, UK
Apr 28 @ Think Tank – Newcastle Upon Tyne, UK
Apr 29 @ The Parish – Huddersfield, UK
Apr 30 @ Slade Rooms – Wolverhampton, UK
May 04 @ Tiki bar – Plymouth, UK
May 05 @ Hobbit – Southampton, UK
May 06 @ The Lady Luck – Canterbury, UK
May 07 @ The Fighting Cocks – Kingston Upon Thames, UK
May 08 @ Barfly – London, UK
May 09 @ The Owl Sanctuary – Norwich, UK

Werewolves in Siberia – New 2 track sci-fi project Werewolves in Cyberia

WIC1Werewolves in Siberia – Showing their softer SciFi music side….for now

When Chris Cavorreto and his alter ego band, Werewolves of Siberia released their second album, Beyond The City Of The Dead, earlier in 2014, it was received by a good number of people to the same positive vibes and appreciation which the bands first album,The Rising, had garnered.

Beyond The City Of The dead contained 10 smouldering horror saturated themed pieces of music that took Cavoretto’s journey of intent to produce good atmospheric electronic/horror-synth that would not only appeal to a new generation of horror aficionados but would also enthuse a generation of people such as myself. In other words, people who had progressed through the so-called golden age of 1970’s horror which seem to be filled with a seemingly endless array of wonderfully evocative soundtracks. The album encompassed a variety of horror sub genres, moving the music on a little from the Zombie-themed first release, but still remained loyal to a familiar horror soundtrack atmosphere.

The current horror music landscape, I would argue, is as healthy and strong as it’s ever been and awash with a plethora of Artists who are taking advantage of the current grand of ‘Geeks being the new cool’ – horror and Scifi has never been more fashionable. I’m not saying the genres are IN fashion, and I’m certainly not saying that the productions currently being made are superior to those that have gone before, but nevertheless, it is all slightly more accepted than it once was to say “I love SciFi and horror”….At least a little.

For me the thing that sets apart Werewolves in Siberia from other artists in the field is Cavoretto’s ability to add a whole heap of other ingredients to his musical mix and not just aim to produce another Carpenter-lite tribute synth album. By including elements such as rock guitar and drums and a dash of hip-hop, Beyond The City Of The dead and its collection of 10 songs, provided a very nice skew on the retro horror music soundtracks that many of us love.

WIC2However you know me, though I love horror (possibly in truth, more than any any sane person should), science fiction is my first truest dearest love. In fact, I couldn’t help noticing that the final track on Beyond The City Of The dead ended with a distinct SciFi feel to it with the fabulous ‘A Hole in the Space-Time Continuum’. I wanted more of this spacey stuff from The Werewolves…..It turns out that I didnt have too long to wait.

So you can imagine my delight when Chis Cavoretto contacted me a couple of days ago to advise that he had done that very thing and produced a futuristic/sci-fi style mini-album – Werewolves in Cyberia (See what he did there with the name?…). That’s the good news. The not so good news us that there are just two songs on the said album. Now I know that you’re an artist, not a production line Chris, mate – but throw us SciFi junkies a bigger bone would ya!

Well OK, I think I know the genuine and somewhat understandable reason why the reason for so few songs – I’ll come onto that in a minute after I’ve told you a little about them.

Track 1 Werewolves in Cyberia

The first of the two tracks, Werewolves in Cyberia, opens with the sound of a flowing foreboding synth for the first minute until the drum track kicks in at a distinctly hypnotic pace. It’s enough to give the listener a genuine feeling of being drawn headlong through a worm hole (not that I’ve experienced that, I wish to make that clear) and then dragged at warp speed (that’s for you Trekkers out there) through the burning maelstrom of a planet’s outer atmosphere. Things are progressing rather nicely at this brooding synth rate until at 4.04 in proceedings an electric guitar suddenly kicks in – melodic and pure at times, at others with a fuzzy feedback which pierces the collective sound adding a Pink Floyd-esque interplanetary feel to the journey, until a hypnotic synth climax that leaves you floating in space at the end. Simply lovely and my personal favourite of the 2 songs on offer.

Track 2 – Cyberwolf

Cyberwolf opens with a distinctively SciFi jingle jangle of futuristic beeps and evocative sweeping keyboard until synth drums immediately transport us along with a break-neck electric accompaniment. This instilled in me images of Phillip K.Dick inspired landscapes, as a Blade Runner future-esque city of neon delight and nightmare unfolded with the unfolding electronic musical feast, transporting us ever faster to the pulsating closing moments. Another lovely piece of space infused musical experience.

WIC3So why only two tracks? Well Chris explains it like this. It seems that he wanted to complete the connection between the final track on Beyond the City of the Dead – A Hole in the Space-Time Continuum and other songs containing a similar futuristic and space theme. This is a style that he’s wanted to do for a while – however, and this is a big however – Chris doesn’t want in any way to move away too far and for too long from his horror film and music obsessions and so didn’t want to give the impression that Werewolves in Siberia had gone all soft and SciFi boy in direction on a permanent basis. Hence the reason of the album only being 2 songs. He still has his cold black horror heart you know.

Werewolves in Cyberia was initially sent free to the bands mailing list as a ‘thank you’ for the support that they had given. The songs will now be made generally available to everyone for just $1 digital download on the 19th August at their link at WerewolvesInSiberia.bandcamp.com.

I would advise anyone who likes either horror influenced, or in this case, SciFi infused music to check out not only the link for the two songs when they become available to download, but also the rest of the bands output. For a start you could worse than download and listen the simply stunning version of Phil Collins ‘In the Air Tonight’ – I guarantee it will blow your socks off.

Oh and as for not wanting to give the impression that WIS were not permanently going in a future space boy direction – well, I for one have to say that if the two tracks from Werewolves in Cyberia are anything to go far, you would be pleasing at least one middle-aged SciFi fan boy very much. So c’mon, Chris – do as the rest of us, forget your principles and pander to what the public wants! 🙂

A good 8.5 out of 10 for this release

A little about the man behind the Werewolves:

WIC4Chris Cavoretto is the man behind the project. After years of playing mostly metal and hardcore as well as running a small independent label, a break was needed. After a few years’ absence from music, it was time for a new project. With the dabbling in recording came the dabbling in synths. This is where Werewolves in Siberia started. In two weeks time, “The Rising” was recorded.

After the release of “The Rising”, “Halloween” popped up. This was a free EP covering John Carpenter’s Halloween Theme and The Misfits’ Halloween with The Misfits’ London Dungeon as a bonus. A split with fellow horror-synth lover Serengeti Yeti was briefly available featuring two unreleased tracks. In April 2014, Beyond the City of the Dead was released. Since this release, a few soundtracks projects are underway.

About the band……

Werewolves in Siberia sound like new wave, synth rock and horror soundtracks were thrown into a blender to create this electronic/horror-synth masterpiece.

Band interests

horror movies, horror music, horror soundtracks

Artists we also like

Zombi, John Carpenter, John Murphy, Goblin, Tears For Fears, Fabio Frizzi

The Facebook page for Werewolves in Siberia can be found at https://www.facebook.com/WerewolvesInSiberia?fref=ts

The Twitter thing for the Werewolves can be reached at https://twitter.com/werewolves_i_s

To listen and download the Werewolves music visit http://werewolvesinsiberia.bandcamp.com

The Mugshots – ‘Love, Lust and Revenge’ EP review

mugband2The Mugshots
“Love, Lust and Revenge”

The Mugshots are a band who don’t sound like your typical horror-themed band. I guess, technically, they’re not. They’re more a band who play rock and roll with a dark twist. The classic rock influence is so heavy on this album, I have no doubt you could convince any number of people that this is a remastered reissue of a “forgotten” album.

The Mugshots did something with this EP that so many other bands today don’t do. They put the time and effort (and, likely, money) into hooking up with a producer who knows what he’s doing and recorded at a real studio. Most bands figure, “hey, I’ve got some recording gear. Let’s just do this ourselves.” A big percentage of these bands don’t know the first thing about how to make it not sound like a crappy, local band’s recording.

The band enlisted Dick Wagner as producer. Wagner has contributed to songs with the likes of Kiss, Hall and Oates, Peter Gabriel and more. He’s most known for playing guitar with Lou Reed and Alice Cooper in the 70’s. This partnership is fitting because The Mugshots actually sound heavily influenced by 70’s Alice Cooper.

When most people think of classic rock, they’re not thinking dark and brooding. These guys could easily fit in on a soundtrack to a horror movie, though. The subject matter is dark and extremely reminiscent of those end credits pieces or the song someone’s listening to on the radio that actually has a theme that fits with the movie.

MugBand1“Curse the Moon” is the first song on the EP. It has a nice piano intro. This is followed by a cool classic rock guitar solo over the top. The whole feel is very Alice Cooper. When the chorus comes in, it has a very Queen-like chord progression. Everything comes together and blends very well on this song. This is easily my favorite song on the album, as I could probably listen to it over and over.

“Nothing at All” is almost a Jethro Tull-meets-Meatloaf type composition with the guys from Queen helping out with the chorus’ back-up vocals. The production is great and the song feels like it could have been a huge hit in the 70’s. This could give anything Tull or Meatloaf did in the era a run for their money. It doesn’t catch my ear, personally, but it’s a well put together song.

“Under My Skin” immediately feels like more Alice Cooper tribute material. It’s got a dark progression and a steady, pounding bassline. Lyrically, it seems like something Cooper would have written, as well. The turnaround in the guitar riff has a cool doomy-feel that hooks you. The only problem with this song is that it never really takes off. It feels as if it builds and builds, getting ready to explode into huge finale. However, it never hits that climax, therefore, leaving it a little flat. But don’t get me wrong, it’s not bad, it’s definitely one of the better songs on the EP and keeps you waiting to hear what’s next.

“Free (As I Am)” is, lyrically, dark and brooding. It feels very stalker-esque. The music, again, brings a heavy 70’s Alice Cooper vibe. It just happens to be one of those more forgettable, deep tracks in a Cooper album that it reminds me of. The song never really catches me. The bridge section is reminiscent of the “No More Mister Nice Guy” bridge where he’s talking about a dog biting him on a leg today. The “free as I am” repeated section feels very much like a war protest song and sort of keeps the song from feeling like part of the rest of the album.

Grunge film frame“Pass the Gun Around” immediately reminds me of David Bowie’s “Space Oddity”. I can almost hear the phrase “Ground Control to Major Tom” in the opening. It’s got a desolate, lost in space feel. I hear a ton of Queen influence, again, with the backup vocals. The super digital delayed guitar solo is a nice touch. It’s really helps bring the song together.

Overall, this is a good, well-rounded album. It’s not something the typical,”horror music” fan might appreciate. However, fans of that early Alice Cooper-era stuff… the deep cuts, they should definitely give The Mugshots a chance. It’s most-likely right up their alley.

6.5 out of 10

You can visit The Mugshots website here – http://www.mugshots.it/

And their Facebook Page – www.facebook.com/themugshots

[youtube=http://youtu.be/X9fKZgTBe7M]

 

Spooky Jefferson’s Ideal Lunchbox House of Dolls EP – Review

sjil1Spooky Jefferson’s Ideal Lunchbox
House of Dolls EP

When I got this review assignment, it was described as horror ska-punk. I’m no fan of ska, in general, but it’s been awhile since I reviewed anything so I figured I’d go for it, being as unbiased or closed minded as I possibly can, to be fair.

The intro (aptly titled, “Intro”) starts up and the vibe is very Danny Elfman. I immediately imagined Vincent Price putting Edward Scissorhands together. The chiming piano gives off a somber tone only intensified by what sounds like a saxophone underneath. I’m wondering where they’re going to go from here because this isn’t setting up a ska-punk album to me. I’m into this and I’m expecting to not be into this album.

“Aliens” is the second track and I’m getting those upstrokes that I’m expecting from a ska band but the overall feel is so different. This one feels like a total Oingo Boingo song. The vocals are buried a little too much so it’s hard to make out where he’s going, lyrically. Upon further listens, it’s obviously about being probed by aliens after abduction. However, the Elfman/Oingo Boingo feel is very prominent. I can easily see this in any of Tim Burton’s claymation movies, albeit a bit toned down, lyrically. They keep those horns properly mixed so it doesn’t kill the vibe. A little double bass action on the drums helps add a little depth, as well.

When the third song comes in, I’m feeling pretty optimistic that I may like this whole EP. The track is called “Do You Know”. Some fun, haunted house-esque giggles on this one over those ska upstrokes is entwined with a haunted amusement park-type jam session. Nothing really happens in the song, but it feels very Squirrel Nut Zippers and it’s still fun.

When “Freakshow” hits, it feels like I’m on the Haunted Mansion ride at Disneyland. This happens to be one of my favorite things at Disneyland so, again, no complaints. There’s a very brief Elfman-type breakdown in the middle that screams “Corpse Bride” before ending with an upbeat horror ska(ish) ending.

sjil2The title track comes last with another Corpse Bride feel. I can also see this song easily thrown into The Addams Family movie during their party. I know it’s not a Tim Burton movie but it felt like one. The movie also doesn’t have any Elfman music in it but I always thought it could use some, along with Tom Waits’ “Russian Dance”. Now, add this one to the list of songs that could easily be inserted.

Overall, I was pleasantly surprised with this EP. It’s weird and a bit off the wall. I would bet these guys are fun to see live. This is obviously a band who is doing what they want to do and they’re having fun doing it.

The likeness to Danny Elfman/Oingo Boingo, Squirrel Nut Zippers and a little Tom Waits in the music is pretty apparent to me. It’s probably something that I wouldn’t listen to all the time as it’s something that you have to be in the right mood for. I definitely like what they’re doing, though.

I don’t know that I’d call Spooky Jefferson’s Ideal Lunchbox a ska-punk band, myself. I don’t really know where I’d classify them but there’s no punk rock from what I heard and, while there is a definite ska influence, it’s not defining to the sound. Maybe I just don’t want to call it ska because I actually enjoyed this album and it’s hard for me to admit to liking anything ska. I could easily see any of these tracks ending up in a dark, kooky movie like those that Tim Burton makes. There’s a very dark cartoon/claymation feel and it’s just a bunch of fun, altogether.

7 out of 10.

Chris Cavoretto

For more info on Spooky Jefferson’s Ideal Lunchbox check out their Facebook page HERE 

Werewolves in Siberia – Beyond The City Of The Dead (2014) Album Review

wisnewWerewolves in Siberia – Beyond The City Of The Dead (2014) Album Review

Beyond the City of the Dead is the sophomore album from Electronic horror guru Werewolves in Siberia; following on from their début The Rising, Beyond the City of the Dead showcases their talent, growing passion and knowledge they have of our beloved horror genre this release comes highly recommended.

 

From the opening track Everything is Gone desolate and downright sinister opening takes you to the eponymous city of the dead its sparse, haunting melody captures the isolation and paranoia the listener would experience during an apocalyptic catastrophe perfectly and from the get go has the audience tightly in the grasp of the music.

 

From the very first listen Beyond the City of the Dead drags you into a world that WIS have masterfully created and for the next ten tracks captivate the audience guiding them through an aural journey which they will be thankful they were along for the ride for and wanting repeated visits in the foreseeable future.

 

The range of musical sub-genres on display throughout the album is astounding and although WIS influences are worn on the sleeve like a badge of honour, never does the album feel like it is infringing on the works of Carpenter/Howarth and Manfredini but can certainly be classed among them using their styles to the advantage of the album creating a familiar yet alien world in the process.

 

The album also feels a lot more mature than The Rising; this is no way a knock on the first album which I wholeheartedly endorse but the cues on display work far better in generating fear and panic especially in the track “The Woods” is remarkable and shows the signs of a great composer.

 

wis2Broken Souls, the album’s third track builds on the pacing of its predecessor, the fantastically titled Lycanthropic Dream-scape and if Lycanthrophic is the metaphorical movie’s chase scene Broken Souls is the pay-off; atmospheric drums and electronic dread in four minutes. The elongated synth rises coupled with a catchy crescendo progresses as the drumbeat morphs into a more complex arrangement subtly lying underneath the electronic sounds in an almost jazz-like accompaniment.

 

Showdown With a Ghoul is a methodically paced entry the sweeping electronic rises and rich organ feels remarkably like the early universal scores and rings like a warning of the underlying terror, almost a beacon of lost hope.

 

The Carpenter influence is evident on Revenge of the Zombi, although the track is thoroughly modern using that influence to their advantage WIS take the familiar and spin it 360 degrees into something strangely compelling. Harking to the new generation of horror composers and firmly slotting themselves in the aforementioned company with ease.

 

The layers of depth that are created throughout; its runtime allowing the audience to visualise a horror film in their own heads while WIS provide the accompanying soundtrack; this would be the perfect for score for a late 60’s Zombie flick straight from the Italian masters themselves.

 

wis1The whole album feels like it has purpose and slots alongside each other each song leading into the next like a jigsaw becoming so much more rewarding once the final notes of the outro track and silence echo’s allowing the listener time to reflect and indulge.

 

Each track could be broken down and visualised into its own scene and this is the main reason the album works so well; not only offering the viewer to get involved emotionally but leaving them salivating for more.

 

I for one would love to hand each track to a different director and see the outcomes that each director envisions.

 

On the other side of the coin WIS’ Chris Cavoretto has a wonderful mind for composing and is both highly knowledgeable and respectful of past composers work and the horror genre, which is evident after just one listen of any of his songs. He encompasses a visual flair that will undoubtedly further his scope of work in the near future and allow WIS to expand and develop on each release.

 

Beyond the City of the Dead comes highly recommended and is due for release by the UK horror label Graveyard Calling on limited edition cassette and digital download on April the 1st..

 

Turn down the lights, lock the doors, and raise the volume. Let this magical sound scape wash over you and go Beyond the City of the Dead with the Werewolves in Siberia.

 

8.5/10

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You can check out Werewolves in Siberia on the following links –

Websites – www.werewolvesinsiberia.com/

www.werewolvesinsiberia.bandcamp.com/

Facebook – www.facebook.com/WerewolvesInSiberia

Twitter – www.twitter.com/Werewolves_I_S

 

And check out Graveyard Calling records –

www.graveyardcalling.bandcamp.com/

Facebook – www.facebook.com/GraveyardCalling

Twitter – www.twitter.com/GraveyardCallin

 

 

 

 

 

 

Werewolves In Siberia – The Rising

wistherising

The Rising is a full length album released by Werewolves in Siberia , released on 12th March 2013 this is an electro synch soundtrack for the mind. The music is hugely reminiscent of 1970’s/80’s Slasher films whilst carrying the Euro dread of a late 60’s Giallo.
The Rising feels like a concept album with 7 tracks of varying length (from 1.48 – 5.25 minutes) and the tracks are neatly bookended by Track 1 – Introduction To A Nightmare and Track 7 – Return To The Nightmare , that gives the whole opus a start , middle and end that totally completes the album.
The joy of The Rising and what Werewolves do so well is you can relax , close your eyes and almost build the horror film mentally while the music plays, just imagine the horror, thriller or zombie epic unfurling alongside the waves of synthesiser that roll over.
Each track is different and brings with it fabulous textures of sound and all I can say is just track Werewolves in Siberia down and get everything you can . You will not be disappointed .

I recently caught up with Chris and he gave me this short intro into the history, present and future of the project –

Werewolves in Siberia is an electronic/horror-synth project that started sort of by accident. Chris Cavoretto is the man behind the project. After years of playing mostly metal and hardcore as well as running a small independent label, a break was needed.
After a few year absence from music, it was time for a new project. Upon starting a guitar and vocal solo project, the dabbling in recording began. With the dabbling in recording came the dabbling in synths.
This is where Werewolves in Siberia started. In two weeks time, “The Rising” EP was recorded.
Since then, a project covering John Carpenter’s Halloween Theme and The Misfits’ Halloween was done (with a cover of London Dungeon as a bonus) has been released as well as a four song split with fellow horror-synth lover Serengeti Yeti.
Remix mastermind, Ghastworks remixed two songs off of “The Rising” which was released for free download under the title “Double Feature (The Ghastworks Remixes)”.
Werewolves in Siberia takes the love of horror movies and especially the soundtracks to the fun 70’s and 80’s zombie and slasher films and has built an updated, yet very throwback sound. Every song has been written with a vision of a horror scene that could go along with it. What’s next? Maybe soundtracks…

Chris Cavoretto

My thanks to Chris for taking time out to chat and for the info.

I really recommend checking out Werewolves , this is a unique and audibly stunning project that is really welcome in the horror genre and I for one look forward with much anticipation to their future releases.

And here are a few links to their sites .

Www.werewolvesinsiberia.com

www.facebook.com/WerewolvesInSiberia

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