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Dead Awake (2016) Review

rsz_deadawake1DEAD AWAKE (2016)

Starring Jocelin Donahue, Lori Petty, Jesse Bradford, Brea Grant and Jesse Borrego

Directed by Phillip Guzman

Written by Jeffrey Reddick

Out NOW from Matchbox Films

“A young woman must save herself and her friends from an ancient evil that stalks its victims through the real-life phenomenon known as sleep-paralysis”.

Jeffrey Reddick struck gold when he created the original Final Destination. A smart, original and genuinely scary horror film, helped along greatly by the team of Glen Morgan and James Wong, Final Destination was a huge critical and commercial success that launched a pretty enjoyable franchise. But none of them involving Reddick. So what’s he been up to? Well, he wrote that really bizarre Day of the Dead remake, and a teen horror called Tamara that nobody remembers…And now he’s back again with Dead Awake. Is it as forgettable as those two?

Kate (Jocelin Donahue) is a social worker who begins to investigate the mysterious death of her twin sister Beth (also Donahue), who died in her sleep. Teaming with Beth’s partner Evan (Jesse Bradford), Kate delves into the dark world of sleep paralysis, and quickly discovers a mythical creature which is hell bent on using the horrifying condition to kill her friends.

rsz_deadawake2Imagine for a moment, if you will, if the villain in A Nightmare on Elm Street wasn’t the amazing Robert Englund as the horrifying Freddy Krueger, but a rickety crawling Samara from the Ring remake. Not only that, but the heroes weren’t teens who used their smarts to beat the villain, but a few thirty something mates who can’t move and just let the thing get them.

Well that’s Dead Awake in a nutshell. Sleep paralysis can be used to creepy effect, but not here. It robs the characters of any fight when the demonic entity known as “The Hag” comes crawling up in their faces. Reddick and director Guzman manage to make the sequence quite creepy the first few times it happens, but it becomes quite clear that’s the only trick up their sleeves.

The cast try hard, with Scream queen Donahue squeezing as much life and personality into her underwritten role, and Jesse’s Bradford and Borrego do great, auditions for Charles Manson, the former chilled and morose, the latter bug-eyed and edgy. But more often than not they appear bored when playing exhausted, and like the pace of the film, it can do the same to the viewer. Dead Awake takes itself very seriously, but the lack of fun is a real problem.

rsz_deadawake3Reddick had a great concept on his hands but the execution has no imagination. Every scene that showed the hazards of sleep deprivation just made me hope the Channel Zero crew get around to “The Russian Sleep Experiment”. Now that could be terrifying.

For now, we have this. A shuffling Elm Street retread without the wit and imagination of even it’s remake. If you’re looking for a visually pretty film with nice performances and one or two effective jump scares, check it out. If not, go with the awes Craven one.

5/10

The Void (2016) Review

rsz_void1THE VOID (Dirs- Jeremy Gillespie, Steven Kostanski, CANADA, 2016)

Starring- Aaron Poole, Kathleen Munroe, Kenneth Welsh, Daniel Fathers, Art Hindle

Out now on Demand + DVD & Blu-Ray from Signature Entertainment.

After making an impression at a series of festival screenings, THE VOID arrives on blu ray and digital download after a very (almost non-existent) cinema release, in what will be a format where it can find a more appreciative audience, as the film harks back to memories of VHS horror flicks and those sort of films you found in the local rental store that had garish hand drawn covers and as a kid you immediately wanted to rent out. The memory of the 80’s genre cinema and creature prosthetics and even the looming influence of John Carpenter, is further emphasised since some of the films influences can be found in his classics THE THING and ASSAULT ON PRECINCT 13.

rsz_void2Starting off with a bang the film opens with two people running from a farmhouse in terror one of whom is shot down and killed by two strangers who state that the other person “won’t get very far.” Said fleeing injured person runs out onto a road and encounters Sheriff Carter (Poole) who drives the guy to the nearest available hospital, which in turn is closing down after a fire gutted much of its basement and is surviving on a small skeleton crew of doctors and nurses including Carter’s wife Alison (Munroe) who has separated from him since the death of their child during birth. It’s not long before the hospital is under siege from mysterious hooded figures who are intent on not letting anyone escape from the hospital which comes under attack from all manner of messed up creatures. With tempers fraying between Carter and the two men from the start of the film who know more than the staff and become valuable allies, they soon start to realise that the hospital might be the basis for someone or something with a more darker purpose than they imagined.

rsz_void3Gillespie and Kostanski know how to kick off the film in the right way and they keep this energy up throughout the running time almost not letting go of the full throttle pace of the film. Managing to cram small bits of back story of the hospital and the characters, the film maintains its focus on the situation and is blessed with the perfect setting. PRECINCT 13 springs to mind in this aspect of the closing down hospital, a skeleton crew of mismatched individuals some of whom might be a threat, surrounded by a mostly silent enemy. However the extra level of tension is added in that what ever the hooded figures threatening the characters outside is also manifesting itself inside in a much more horrific way and its this concept that allows the true stars of the film to shine or rather spill its guts onto the screen, which is the effects. Both horrifying in an almost surrealist creation of disgust and innovative, the creature effects are superbly done and its a credit to the directors and the effects team to go along with the use of prosthetics. Its no surprise to know that the two directors have backgrounds in art and practical effects on some big budgeted films and that experience has allowed them to bring it to the full in their own picture.

rsz_void4Whilst there are a few cracks in the story and at times background detail seems to be missed, the film runs at a decent pace to almost allow you to forgive some minor plot holes as it’s main focus is on the action and some impressive set pieces. The cast handle the proceedings well, managing to portray convincing normal small town people trapped in an unbelievable situation, particularly Kenneth Welsh as Dr Powell whose brief part leads to a more significant and deciding character that changes and significantly influences the second half of the story. Cult film fans will also recognise Art Hindle star of the 70’s version of INVASION OF THE BODY SNATCHERS and THE BROOD in a small role.

rsz_void5THE VOID is going to go down well with hardcore horror fans and it’s damn enjoyable. Admittedly you can spot the genre references through and through from Carpenter’s aforementioned classics mentioned before to HELLRAISER, with a splattering of THE BEYOND especially in the films final sequence as well. But as genre films go you cannot fault its ambition and drive and the directors have a love and an appreciation of the horror film. It will have any self respecting genre fan loving it’s use of traditional prosthetic effects and watching it with a huge smile on their face, since it has the hallmarks of a cult classic in the making.

8.5/10

Shut In (2016) Review

rsz_shut1Shut In (2016)

Running time: 91 minutes

Director: Farren Blackburn

Cast: Naomi Watts, Oliver Platt, Charlie Heaton, Jacob Tremblay

Out NOW on UK DVD from Arrow Films

A strong cast head up this psychological thriller whose script was plucked from the 2012 Blacklist; a list of the best unproduced screenplays of the year. So, in some respects, Shut In has a lot to live up to from the very outset.

Naomi Watts plays Mary Portman, a clinical psychologist who has reluctantly agreed to send her eighteen year old son, Stephen, away from home due to his increasingly out of control behaviour. Her husband re-assures her it is for the best but after he and Stephen leave, an argument results in a horrific car accident, killing father and leaving Stephen (Charlie Heaton, fresh from the Netflix hit Stranger Things) unresponsive and wheelchair bound.

rsz_shut2Skipping six months forward, Mary struggles to cope alone with her severely disabled son whilst still running her practice. They live remotely and Mary has little outside help, bar her assistant, Lucy and her therapist, Dr Wilson (a reliable Oliver Platt), who converses with Mary over Skype.

When a patient of Mary’s; nine year old Tom (an underused Jacob Tremblay) runs away from his care home, she finds him having broken in to her car and hiding in the back seat. Wanting to help she takes the child in to her home but he soon disappears in to the night and the hunt for the missing boy begins. Due to the extreme weather and impending storm, it is swiftly believed the boy has died and Mary begins to to be tormented by visions of the child.

As the strain of caring for her son bears heavily down on her, her nightmares escalate. She hears noises throughout the house, believes she sees Tom at her bedroom door and then disturbingly finds scratches on the side of her son’s face. Seeking help from Dr Wilson, he re-assures her that this all just a vivid dream. That stress and the difficult situation is taking it’s toll. Obviously, we realise there is more here than meets the eye and the truth slowly starts to present itself.

Shut In takes the single setting premise and crafts an interesting story around its limitations. Stephen finds himself ‘shut in’ his own body post-accident, whilst Mary has become ‘shut in’ her own home and possibly her own mind.

The film starts promisingly, the story is established quickly and it drip feeds information as it progresses. We learn that Stephen is in fact Mary’s stepson and it was ultimately her decision to send him away. As her guilt eats away at her, the boundaries between reality and Mary’s dreams become blurred and you are pulled further in to seeing things from her perspective. It is in these scenes that the strength of the film lies; the image of Mary bathing Stephen, discovering him alone outside and the ghostly appearances of Tom. Director Farren Blackburn, teases you with the anticipation of the shock and then delivers on that promise, providing some genuine jumpscares. Having directed such UK television staples as Casualty and Silent Witness, it’s clear that Blackburn can create a polished thriller.

rsz_shut3However, is it all rather too polished, if indeed that can be levelled as a criticism? It feels that there could be more beneath the surface of the story that is left untapped. As the film moves in to its final act, it starts to lose some of it’s atmosphere; heading towards a more predictable conclusion than you might have hoped for. You start to question certain characters actions and moments begins to feel plotted. With the limited setting and relatively small cast there is nowhere to hide and although the performances are good, there are no iconic characters or moments that linger with you once the film has ended. By taking very few risks, you are left feeling like you have seen this all before.

Whilst not hugely innovative, Shut In is still a solid piece of filmmaking, albeit probably not one that will resonate in your memory in years to come.

6 out of 10

Ghosthunters (2016) Review

rsz_gh1Ghosthunters (2016) Review

Director: Pearry Reginald Teo

Starring: Francesca Santoro, Stephen Manley, David O’Donnell, Liz Fenning, Crystal Web.

Out now on UK DVD from High Fliers Films

“Ghost DNA.”

After Henry’s wife and daughter are murdered in an abandoned house used by a serial killer, he and his group of ghosthunters go back in to extract their souls. Henry (Stephen Manly) and his friends have been working on a machine to find and preserve ectoplasm. They were testing the machine at the site of the murders when everything went wrong. Now Henry and his cohorts face the angry victims of the serial killer. A serial killer who may not be done.

Well, it sounds okay in theory. And it’s certainly not the worst movie ever. It’s an Asylum film. So that right there should tell you a lot about Ghosthunters. Don’t expect too much and you won’t be disappointed. Ghosthunters manages to be a mediocre supernatural thriller. It has some fun special effects and creepy ghosts. The jump scares aren’t terribly effective, they pop up right about where expected, negating their effectiveness.

There is also a delightful amount of techno-babble the likes of which haven’t been heard since Star Trek went off the air. The techno-babble actually makes for a pretty hilarious scene of really terrible exposition about the ghost hunting machine. It’s basically a ghost trap from Ghostbusters. Don’t give it too much thought.

rsz_gh2Aside from the mediocre plot there is also plenty of mediocre characters performed by so-so actors. The good news is that no one is stand-out terrible. The problem is they are also stuck with a pretty ridiculous script. The most weighty role is given to Manly who does pretty good as the grief stricken Henry but could have brought a lot more personality to the role. Especially since one of the major twists hangs on his. David O’Donnell plays Henry’s friend and confidant Neal who built the ghost trapping machine. Neal also brings along his reporter girlfriend Amy played by Francesca Santoro, who is arguably the main character, but nothing in the movie indicates that fact. Then there is computer programmer Jessica played by Liz Fenning. Crystal Web plays the sadly under-utilized psychic Devon. No one has much character development and nothing more is known about the characters at the end of the film as was known in the beginning.

There are a lot of wasted opportunities in Ghosthunters too. Devon brings a knowledge of the occult to the “science” of paranormal investigating, and in a good scene that goes nowhere, she tries to trap the ghosts in the house using salt. The combination of the occult and science would have been a really interesting development. But the script slogs along with paint-by-number predictably.

The best thing about the film are possibly the props. The best prop in the entire movie is a pair of steampunk styled ghost spotting goggles. Second runner-up is a steampunk styled plague doctor mask worn by the killer. Sadly the ghost trapping machine itself is a bland jumble of spare parts that look like they could be anything. The rest of the special effects are okay, but not great. There is some CGI enhancement of the ghosts, but it looks like most of the effects were achieved practically. It’s not a special effect heavy film, probably due to budget constraints, and it manages with what it has. Over all Ghosthunters is pretty skippable.

gh3Kudos for: The organ music.

Lesson Learned: Say ghost DNA often enough and it just sounds silly.

5/10

Population Zero – Available on Digital Download 10th April 2017 from FrightFest Presents

population_zero_webPopulation Zero – Available on Digital Download 10th April 2017 from FrightFest Presents

More shocking than the crime itself, are the bizarre events that followed!

The Blair Witch Project meets Catfish and Making A Murderer, as a filmmaker travels to Yellowstone park to unravel a shocking murder mystery, where a guilty man walked free because of a bizarre legal loophole, in this mix of horror and crime documentary.

Synopsis:

In 2009 three young men were killed in a remote part of Yellowstone National Park. Hours after the trio were gunned down, Dwayne Nelson confessed to the crime. Despite this, Nelson was allowed to go free because of an American Constitution loophole.

Documentarian Julian T. Pinder travels to Yellowstone in a chase for truth behind a crime that should have rocked the nation. How did a guilty man go free? In his hunt for answers Pinder risks his own life when he finds evidence that could re-open the case years later – evidence that Nelson is keen shouldn’t come to light.

popTake horror thriller director Adam Levins (Estranged), and team him with acclaimed documentarian Julian T Pinder, and you get the unique and unsettling Population Zero, a part fact, part fiction look at murder, madness and American justice gone wrong. The starting point for the film is the incredible fact that there is a strip of land in the USA where you can literally get away with murder, in Yellowstone National Park – because no one lives there, a jury cannot be made up to try anyone accused of murder in that area.

The film fascinatingly mixes true fact – it was inspired by an article entitled The Perfect Crime, which documents the staggering legal loophole whereby a killer can get away scot free – with a heartstopping crime thriller element, as Pinder closes in on the truth while the deadly Nelson closes in on him; and uses the extraordinary photographic sensation Bison vs Buffalo as a motif for the film. Beautifully filmed against the stunning wilderness, and painstakingly put together to the point where fiction blends into fact and back again, Population Zero is thought-provoking, multi-layered and chilling.

Stake Land 2 Hits UK DVD on April 3rd

rsz_sStake Land II hits UK DVD on April 3rd

Death is no escape

A scary, bloody and action-packed follow up to the 2010 horror hit, with Nick Damici returning as Mister, the vampire hunter, roaming a post apocalyptic landscape and delivering bloody justice one sharp stake at a time. Watch the world die with a scream – lots of them.

Starring
Nick Damici (Stake Land, Late Phases, Cold In July, We Are What We Are)
Connor Paolo (Gossip Girl, Revenge, Stake Land)
Laura Abramsen (Wolfcop)

Directors
Dan Berk, Robert Olsen (The Body)

Executive Producer
Jim Mickle (Stake Land, We Are What We Are)

rsz_s2Producer
Larry Fessenden (The Innkeepers, The House of the Devil)

Synopsis:
Older and weathered, when New Eden is destroyed, and his wife and child murdered by the revived vampire Brotherhood, Martin (Connor Paolo, Gossip Girl, Stake Land) suddenly finds himself alone in the desolate badlands of America. With only one goal, to avenge the death of his family, Martin must find his mentor and legendary vampire hunter, Mister, to achieve his mission. But in a world ravaged by vampires, once again, he must fight to survive and no-one can be trusted.

Stake Land II is the much anticipated sequel to the critically acclaimed Stake Land, reuniting the forceful duo in this bloody and spine-chilling gore-fest!

“You’re alive – act like it”

rsz_s3The stakes are raised in this sequel to Jim Mickle’s 2010 horror hit, with original star, and writer, the gruff, gravelly-voiced Nick Damici (who, on any other planet, would be a superstar by now), returning as the no nonsense vampire hunter Mister, and produced by Mickle and horror genre favourite Larry Fessenden (The House of the Devil, The Innkeepers) through his Glass Eye Pics studio.

Directors Dan Berk and Robert Olsen hit the ground running here, picking up where the final film left of and plunging the viewer into the world of the wheezing, wrathful berserkers, as Martin (Connor Paolo from Gossip Girl, Revenge, Stake Land), sets out to find truly nasty fanged fiend The Mother (Kristina Hughes), and discovers the vampires aren’t his only problem in a world where survivors will do anything to get by. The film also brings back genre hero Mister to dispense killer lines (“You got your whole life to die, kid – no point rushing it”) and carnage the only way he knows how.

Signature Entertainment presents Pet on Digital 6th March and on Blu-ray & DVD 13th March, 2017!

rsz_pet_bd_2d[1]IF YOU LOVE SOMETHING NEVER LET IT GO

This haunting, psychological horror follows Seth, a lonely man working in an animal shelter. His monotonous routine is broken one day when he bumps into Holly, a girl from school who he soon becomes obsessed with. However, when she rejects his advances, Seth’s obsession reaches a terrifying new level, with Holly hiding secrets of her own.

Helmed by Award Winning director Carles Torrens (Apartment 143, ABCs of Death 2.5) and starring Dominic Monaghan (Lord of the Rings trilogy), Ksenia Solo (Lost Girl, Black Swan) and Jennette McCurdy (Between, Sam & Cat), Pet is a dark and disturbing love story asking how much you could sacrifice in the name of love?

Signature Entertainment presents Pet on Digital 6th March and on Blu-ray & DVD 13th March, 2017

OMG, I’m A Robot (2015) Review

rsz_omg_robot_posterOMG!? I’m a Robot (2015)

Directors: Tal Goldberg and Gal Zelezniak

Starring: Yotam Ishay, Tzahi Grad, Hili Yalon, Inna Bakelman

“Love the hand and fear the hand.”

Danny (Ishay) is hopelessly in love with Noa (Yalon). He is super nerdy, super sensitive, and after one post movie cry too many Noa puts the breaks on their relationship. He keeps calling her for eight months with no replies and decides to end it all. But, suicide is hard when you’re an indestructible robot. In a fit of confidence Danny takes his new-found mojo out on the town. But he STILL can’t forget Noa. He decides to swing by her apartment in the hopes of getting a face-to-face. All Danny gets is a cold shoulder from Noa’s roommate Maya (Bakelman). On his way home Danny is attacked by robot ninjas (yes you read that right). Luckily he can shoot lasers out of his hand.

Once he takes out the robot ninjas he realizes more is going on than he ever suspected. It turns out Noa has been kidnapped and it’s up to Danny to rescue her. The search for his maybe ex-girlfriend leads Danny to join forces with his boss at Gold Hi-tech Mr. Goldschmidt (Grad), a Jewish robot that looks like a garbage can named Robot Joseph (voiced by Rob Schneider), uncover a conspiracy, discover his true nature, and stop the launch of a weaponized satellite.

rsz_omg_robot_2OMG!? I’m a Robot is OMG so cute! There is incredibly little to criticize. This sci-fi, action comedy delivers sly humor, nerd references (literally every single t-shirt Danny wears) and fight sequences that look like a live-action manga or anime. The plot holds together well and deftly handles mystery, humor and action. The plot weaves together the disparate elements into a coherent whole and leaves no thread dangling. The directors obviously took great delight in the absurd situation and knew all the right nerd buttons to push. The characters are also well developed and sympathetic, even the villains and all the actors are more than capable which makes for easy emotional investment in the outcome.

The film also offers up some good commentary on masculinity. Danny, a typical 98 pound weakling in glasses is of course an unlikely hero. It’s obvious that Noa dumps him in the beginning because he’s too sensitive, too weak. But the film diverts from the usual zero to hero. Despite Goldschmidt’s attempts to toughen up Danny it only half works. Danny does toughen up, but instead of turning into a Terminator, he never loses his heart and compassion. In the end its heart that triumphs. Even Danny’s confrontation with the film’s villain is laced with empathy and tea drinking.

rsz_omg_robot_3If the film has any fault at all, it’s just that the directors deserved more money to throw at the special effects. Though the cheap CGI effects actually make the movie look and feel a bit like a Power Rangers episode, which might satisfy fans more. A must watch for sci-fi nerds.

Kudos for: The menorah gun

Lesson learned: If you’re a transformer, make sure it’s something useful like an electric kettle

8/10

Beyond The Gates (2016) Review

rsz_1rsz_btg1Beyond the Gates (2016)

Director: Jackson Stewart

Starring: Graham Skipper, Chase Williamson, Brea Grant, Barbara Crampton

Out now on UK DVD

“Most of this junk just blends together”

Estranged brothers Gordon (Skipper) and John (Williamson) reunite when they have to close up their father’s video rental store because their father has been missing for seven months. In the back office they find a VCR board game called Beyond the Gates. Gordon takes it back to his father’s house where he’s staying and along with his fiancé Margot (Grant) and John, they decide to play the game. Surprise, surprise, Beyond the Gates has them trapped in a deadly game. The stakes, no less than their lives.

A lot of movies, and a lot of horror movies in particular, set out with the premise of “a deadly game that must be played to completion”. It’s not exactly an original concept, and it has been done better in other films. Beyond the Gates has a few charms but they can’t make up for slow pacing a mediocre script and modest acting. The film rides high on the recent wave of nostalgia that is sweeping films and horror right now. This is the third or fourth attempt at an 80s throwback I’ve seen and it’s not the strongest entry. Beyond leans a little heavily on viewers fondly remembering the days of video rental stores and knowing what a VCR game is. The film then has to explain what a VCR game is because even if you grew up with a VCR, the games where a niche market. Maybe not the strongest premise for a movie, when it has to be explained even to people as old as I am.

rsz_beyond_the_gates_1Premise aside Beyond the Gates is a mixed bag. The pace is slow. The board game is played out over days instead of forcing the characters to play through all at once. The game itself is overly easy, the clues dull. A lot of time is wasted in conversation as the characters flip back and forth, alternately trying to quit the game and progress. The film feels a lot longer than its lean run time of 84 minutes. The build up to actually playing the game is long as well. First we have to meet Gordon and John, then Gordon’s fiancé Margot, then John’s gross redneck friend Hank (Justin Welborn), THEN we have to establish the relationships and antagonisms between all of these characters. THEN they start the game. THEN people start dying.

What the film was actually good at, was not the horror aspects, or the VCR game shtick. It was actually an interesting film about estranged brothers with a troubled past and uneasy relationship mending fences. I actually felt the same way watching Beyond the Gates as I did watching The Innkeepers, which was a great romantic comedy and a terrible horror movie. Beyond the Gates was a good family drama about reconciliation and a pretty mediocre horror film.

But, the horror wasn’t all bad. There were a lot of practical effects used for gruesome death scenes that were pretty entertaining. However that’s about the best that can be said for the horror side of things. Unfortunately amusing death scenes don’t make up for the slow pace.

rsz_beyond_the_gates_2Kudos for: Gordon’s nerdy hipster vibe

Lesson learned: It takes more than a synth soundtrack to cash in on nostalgia.

6/10

Scars (2016) DVD Review

rsz_1rsz_scarsScars (2016)

Starring: Danielle Cole, Neale Kimmel, Matt Wells
Written by: Sean K Robb
Directed by: Sean K Robb

Out NOW on UK DVD from LEFT Films

A few months back, I reviewed a movie titled Even Lambs Have Teeth. It was a visceral movie about two girls making the move from victim to aggressor, and it had style and a definite entertainment factor. Scars is along the same basic lines, but distinctly lacking in entertainment factor, and depth of moral questioning about killing. Sad thing is, it has style, or glimpses of it, and should be much more watchable than it is.

There are two girls, Scarlett (Kimmel) and Scar (Cole). Scarlett is a habitual manipulator, who makes her living and gets her kicks out of sleeping with married men, and then blackmailing them. She is callous, unfeeling and not a very good blackmailer; after a string of emotionally-attached guys are hurt and ultimately succumb to her scam, one particular john is not so willing to be screwed around. When she pushes her luck and they get into a fight in a dark alley, Scar appears from the shadows to knock him dead.

rsz_scars1It would be OK, I suppose, if their gig was as vigilantes, saving people from violent street attacks; but they quickly develop a taste for killing men, apparently for no other reason than that things with penises are inevitable woman-users and abusers. Scar’s mantra, and the movie’s tagline, is ‘Killing Dudes is Easy’. But making a movie about killing dudes watchable is not so easy, it would seem.

The structure of the movie shows attempts at creativity and interesting cinematography, but it comes together in a very disjointed fashion. A soap-opera style opening credit sequence à la Murder She Wrote is particularly inspired, making use of noir visuals, and heavy ‘beauty’ imagery that seemed to suggest a much more thematic work than what ultimately follows. Later attempts to add realism with claustrophobically-cropped shots sadly come off as cheap; frequent use of single camera angles for extended shots make for a static, almost theatrical viewing experience, and there is a generally down-market feel to the whole film.

Ultimately, Scars is a slow and uninspiring movie. The pace of the action drags in between stylish shots of Scar applying copious black make-up, limping along between plain walls from a single focal point, while not a lot happens. Danielle Cole was clearly chosen for her looks over her acting ability, while Neale Kimmel is quite forgettable, as is her character. But even this needn’t have mattered. Scars could have been a much more compelling experience had it taken its strife for striking and distinct visuals all the way.

rsz_scars2We are supposed to get the impression of madness in at least one of the girls, but it is sparsely expressed in a very sterile and bland manner. Writer-director Sean K Robb would have benefitted from taking more influence from Rodriguez, Tarantino, even Harmony Korine’s Spring Breakers, which proved that style and flair can make a movie watchable despite questionable plot and characters. It is not sombre and brooding enough to be as slow as it is, and not bold and colourful enough to be as stylish as it wants to be. It is unfortunately just a dull film.

5/10