An Interview with Emma Dark by Gary Hindley

rsz_ed5Hi there, I’m Gary Hindley, Writer for UK Horror Scene.

Thank you very much for agreeing to speak with me, I hope all is well with you.

I want say congratulations on your success, with the award winning ‘Seize the Night’. It’s a fantastic piece of film, and thoroughly enjoyed. The writing and directing of film, is something you look to be thriving in, and each project you take on shows more ambition and your drive to try new, exciting things.

Q: What were the influences that got you interested in the horror genre?

I’ve always liked horror, from a very early age. My Dad was a butcher, and as a small child I used to go into his walk in fridge in the butchers shop to see the animals. Not in a particularly grim way, I wanted to see if any of the animals still had heads on and stroke them. Thankfully I actually didn’t turn out to be a serial killer, in fact I’m not even a big fan of slasher movies to be honest. The first horror film I saw was Albert Pyun’s “The Sword and the Sorcerer”. Strictly speaking it’s probably classed as a dark fantasy, but the horror elements are very strong, even as an adult viewer it’s pretty horrific in places. As a BBFC 18 rated film, I don’t know how I managed to convince my Dad it was a kids movie in a video store in the 80’s but somehow I did!

rsz_ed2Q: You’re a celebrated alternative model, and multi award winning director, writer, actress and producer. After being so successful with your modelling career, what was it that attracted you to film making?

With the modelling, the end results are great, frankly who wouldn’t want fantastic photos of themselves, however it’s not your art, not really, it’s the photographers. I’m not saying I don’t like modelling, I still do it from time to time, but I certainly wouldn’t devote all of my free time to it again the way I do with the filmmaking, although of course I’m very grateful for the amazing portfolio I’ve built up over the years.

Filmmaking gives you full creative control over telling a story. I guess I could have written a book or started doing more of my own photography (it would have been significantly cheaper), but I love film, I love using my mind to problem solve, and I love a challenge. Producing/Directing (and in my case also editing, marketing and all the rest) presents me with many challenges.

As far as the acting goes I’d really like to be offered a few more interesting serious parts. I do get offered roles fairly frequently but I have the problem of generally being earmarked what I’d call more of the ‘bimbo’ style of Scream Queen roles (being a model looking type I guess), which surprises me really as the character I play in my own film “Seize the Night” is so very far removed from this. I’ve just had the pleasure of acting in Comedy/Horror short film “Frankula” (available on Amazon Prime), co-starring with Hammer’s Caroline Munro and Judy Matheson, TV’s David Barry, “Carry On Screaming” star Fenella Fielding, and newcomer Martin Rudman, so interesting roles are out there. Many thanks to Stuart Morriss of Misty Moon and Jason Read of Robo Films for casting me in that. I’d actually really like to play a serious, smart, take no BS kind of heroine role in a high production value film, think Ripley in “Alien”. Wouldn’t we all, but if it’s out there that’s the ideal kind role for me in all honesty.

rsz_ed1Q: Seize the Night, saw you gain critical acclaim internationally, from some of the biggest horror magazines, and television channels. What has life been like since its release?

It did! It’s been a pretty amazing journey. It’s been covered at various stages of production by the likes of the Horror Channel, Dread Central, Starburst, Digital FilmMaker Magazine etc. It’s had some great reviews, including one from UK Horror Scene (which I actually quoted on the DVD cover). I can’t say I’ve suddenly been propelled into superstardom from one short film (who would be), but I am being taken more seriously as a mind and not just as a face now, I hope. I have signed as an official guest at lots of horror and sci-fi conventions across the UK, including MCM, which I think is pretty unheard of for an indie filmmaker/actor so I must be doing something right! The film’s also just been nominated for a prestigious iHorror award, so we’ll have to see what happens with that. Of course you have to take the good with the bad and the success does garner a certain level of negativity at times, especially (rather frustratingly) from industry peers I’m sad to say. I did let that bother me at one point but there are so many lovely genuine people out there who are extremely supportive that the others aren’t really worth worrying about in the grand scheme of things.

Q: Your next short film is ‘Salient Minus Ten’, is currently in post production. What can you tell us about your new venture?

It is, I’m finishing the edit now as we speak actually. I can tell you it looks absolutely amazing! I was lucky enough to have world renowned Director of Photography and DSLR guru Philip Bloom join my ‘Salient Minus Ten’ team as DoP. Philip is extremely talented and passionate about what he does, and like me is a bit of a perfectionist, so as you can imagine the shots looks amazing. The fact that Philip was requested to work on George Lucas’ feature film “Red Tails” should tell you everything you need to know about his beautiful cinematography style.

rsz_ed3Then there’s the star of my film, the amazing Alan Austen. Alan is perhaps best known for playing one of the Stormtroopers responsible for placing Han Solo in the carbon-freezing chamber in “Star Wars: Episode V – The Empire Strikes Back”, although his acting career actually spans almost 40 years and he’s had a variety of film and television parts. I’d originally cast another actor in the role (although I won’t go into that here, details are public on my Indiegogo campaign for those who need to know), when it came to recasting and I auditioned Alan I knew that he was the one to play the lead character of Adam Harper. Alan’s performance really blew me away, he’s absolutely fantastic, he really is, and I hope he goes on to win an award for his acting in my film.

I was also very lucky to have onboard named Special Effects artist Mike Peel of Rogue Creations. Mike has worked on a number of high profile films including “The Zombie Diaries”, “Harry Potter and the Order of the Phoenix”, “V for Vendetta” and Jake West’s “Evil Aliens”.

The next stage in the post production process is to now finalise the edit and record the ADR for the film with my Sound Recordist and Designer Chris Collier of 24 Foot Square. I really want the sound design to be very creative and present, as beautiful as the cinematography really, so Chris has a very prominent role on the film.

You can find out more about the rest of my cast and crew (many of whom are ‘Seize the Night’ alumni) on the film’s IMDb page.

As far as the story goes I guess I’ve kept that fairly secretive. It’s a short film after all so I don’t really want to give away the entire plot. My brief storyline reads “Adam Harper is an average man. And on an average day he suddenly finds himself catapulted into the strangest, reality changing game… A game of time and chance, where the stakes are a matter of life and death.” I’ve written a very dark Sci-Fi essentially with horror elements. It’s cerebral, classy and somewhat abstract. I don’t really believe short films have to be any less than features in terms of quality of content, so expect something beautiful with depth.

Q: When can we expect to see the release of ‘Salient Minus Ten’?

A public release won’t be for some time. First it has to do the festival run, which gives it the greatest chance of being seen by those in the industry, and hopefully it will pick up a few well deserved awards along the way. I do hope fans can make it along to festival screenings.

rsz_ed4Q: You are an advocate of ‘Women In Horror’. Were you involved in WiHm 2017?

Yes absolutely, I sat on Jonathan Hughes ‘Women in Horror’ panel at his London based ‘United in Blood’ event talking about a range of film and industry related subjects, and how they affect/what they mean for women in film. You can find video coverage of the panel here http://bit.ly/2mjKwdG. Also MorbidlyBeautiful.com interviewed me as part of Women in Horror Month here http://morbidlybeautiful.com/inspiration-women-horror-3/.

In Autumn last year I wrote a seven page article on ‘Women in Film’ published in issue 39 of Digital FilmMaker Magazine, which talks about my own perspective and the experiences of other prominent UK based female filmmakers. It’s well worth checking out, as an issue of great importance it made the headline article with a dedicated front cover.

Not entirely part of Women in Horror Month but the MMBF Trust have also just opened submissions for the Emma Dark Horror Award. It’s the second year running after a successful 2016 and aims to support all aspiring filmmakers.

Q: What projects do you have planned after ‘Salient Minus Ten’? What are your plans for the future?

I do have another self Produced/Directed short film planned for later this year which has a famous name attached, but if I told you about that I might have to kill you!

Thank you so much for taking the time to speak with us!

IMDB – http://www.imdb.com/name/nm5889089
Website – http://www.emmadark.com
Facebook – https://www.facebook.com/EmmaDarkOfficial
Twitter – https://twitter.com/EmDarkOfficial
YouTube – http://bit.ly/1O5w3aV

An Interview With Grainne McDermott by Gary Hindley

FotorCreated - EditedAn Interview With Grainne McDermott by Gary Hindley

I have been lucky enough to catch up with Grainne McDermott, to talk about her latest film, ‘I Know You’re In There’.

UKHS: Firstly, welcome to the UK Horror Scene and congratulations on ‘I Know You’re in There’. It’s a fantastic film, and thoroughly enjoyed every minute of it.  How are you doing today? 

Grainne McDermott: Hi! I’m doing great, thank you!

UKHS: Since it’s release, there has been a lot of buzz around ‘I know you’re in there’. Here at ‘UK Horror Scene’, we absolutely love it. What has life been like since making the film? 

Grainne McDermott: Thank you, that’s so nice to hear!! Life has been pretty cool since the film has been released. I’ve had such a nice response from people online about the film, I love to hear that I’ve creep’d them out!

IMG_3261UKHS: For your character ‘Chloe’, I know you’re doing a lot of sitting still, but did you have to do any research into how to portray the condition (Catatonic Schizophrenia) that she has? 

Grainne McDermott: I did, yes. I looked into Chloe’s diagnosis in prep for my audition to get an idea of how to move or not move. When I got the role, I talked with Robert Gordon (our writer/director) about Chloe and how he wanted her diagnosis portrayed and we collaborated on how to make her the most unsettling.

UKHS: What was it like having to sit so completely still, for such long periods of time? 

Grainne McDermott: The sitting still wasn’t so bad. The not blinking on the other hand…. Anyone up for a staring contest?

IMG_3291 - EditedUKHS: I can imagine, that there would have been times, when the director would have wanted to do multiple takes of certain scenes. What was that experience like, and was it hard to stay in character? 

Grainne McDermott: The only scenes I dreaded multiple takes of were the feeding scenes. I HATED those scenes but I really like playing creepy, so staying in character wasn’t a problem. Occasionally, I would blink and then blink blink blink and we would have to do another take. I tried really hard not to, but after 4 or 5 takes of not blinking, sometimes it just couldn’t be helped.

UKHS: You, and your co-star Will Hurst (who in the film, portrays the character of your brother Tom), were in close proximity for long periods of the movie. What was it like working with Will? 

Grainne McDermott: Will is great! We very quickly developed a brother/sister relationship and had a lot of fun in between takes.We lived in the house that we filmed in during production. We had a small cast and crew so it was very much a family unit for those three weeks.

IMG_3472UKHS: Is the horror genre something you’ve enjoyed working in, and would look to do more of? 

Grainne McDermott: I absolutely love the horror genre! My dad introduced me to the 1930’s and 40’s Universal monster movies, and the Christopher Lee and Peter Cushing, Hammer Horror Dracula movies of the 60’s. The first film I worked on (Bloody Homecoming), was a throwback to 80’s slashers, so the horror genre holds a special place in my heart. I have to say, I adore being a creep fest! I would definitely work in the genre again and again.

13920162_1763059340618134_3308006064010099912_o - EditedUKHS: What can we look forward to catching you in next? 

Grainne McDermott: I play the younger version of Chloe Dykstra’s character in the movie “Diminuendo” directed by Bryn Pryor. I’ll also appear in an episode of the horror anthology “DARK/WEB”. Both projects are expected to be out this year!

Thank you so much for taking the time to speak with us. It really sounds like you’re having a lot of fun, and really enjoying working in the horror genre. I’d really like to wish you all the best for the future, and in your upcoming projects, and hopefully speak to you again soon.  

Pet (2016) Review

rsz_petPET (2016)

Directed By: Carles Torrens
Written By: Jeremy Slater
Starring: Dominic Monaghan, Ksenia Solo, Jennette McCurdy
Score: 8/10

Introduction
‘Pet’, is an independent, psychological horror/thriller, that is being compared to the likes of ‘Hard Candy’, due to its claustrophobic nature. An announcement was made that the film would make its world premier in March 2016, at the SXSW Festival, and was very well received. ‘Pet’ was released theatrically on December 2nd, 2016 and will be available on VOD and DVD on December 27th, 2016.

Synopsis:
Seth (Dominic Monaghan), is a down on his luck young man, who works at an animal shelter. One day on his way home from work, a girl who he has not seen for years, but had crushed on in school, gets on the bus. She is a beautiful, young woman, called Holly (Ksenia Solo). He starts to stalk Holly, firstly, online on her tinder profile, and then moving on to following her around at nights in the dark, and repeatedly going to see her at work where she is waitress.  Lacking the confidence to ask her out, he decides he has had enough, and kidnaps Holly, and puts her in a cage in the basement of the animal shelter where he works. In this tale full of twists and turns, is Holly who he thinks she is and who will end up the real victim?

rsz_1pet2Review:
This is a full on roller coaster of a film that will have you gripped from start to finish. The further into the film you get, you find out about more about the characters disturbing secrets, and of Seth and Holly’s night time activities. The character development is absolutely superb, and the performances from the films two main characters is brilliant, and both play their parts incredibly well. Their back stories aren’t thrown at you in one big lump, but are more drip fed to you, leaving you locked on, craving more information about the pair, and wanting to know what depths each are prepared to go to, to satisfy their own personal lusts and desires. As more of this awesome story unfolds, the twists are brilliant and well thought out. As you venture into the awesome finale, you’ll be sitting on the edge of your seat in anticipation, of how this power struggle, between the two will ultimately play out.

Dominic Monaghan, who portrays the character ‘Seth’, is presented as a loner and a nobody who is invisible to the world. We see his boundaries completely disappear, as his lust for Holly turns to infatuation and his is mind descends further into madness and obscurity. He meticulously plans the kidnapping and incarceration of Holly, as he works towards what is his ultimate goal of having this girl as his pet, someone he can have power over, and control. You get the sense from him that there may be no limits of what he is capable of. His intentions are not of a sexual nature and he keeps repeating to Holly that he wants to help her. He seems to want to systematically break her down psychologically. But the more he thinks he is succeeding with his plan he is actually playing straight into Holly’s hands, who has got plans of her own.

rsz_pet4Ksenia Solo, who portrays Holly, is the girl that Seth becomes completely obsessed with. From the day she first met Seth on a bus ride home from work, she becomes more and more conscious of the fact, that Seth is popping up everywhere she goes. She finds herself constantly looking over her shoulder and develops a huge sense of paranoia. Once kidnapped, and as each day goes by, we find out more about Seth’s prisoner, and Holly is definitely not what she first appears to be. Seth is presented with some major problems that he could never have anticipated, turning the film completely on its head and presenting the unusual situation which sees the hostage take complete control from the confines of her cage.

The pacing of each scene is brilliant. You’re not left lingering and waiting for something to happen ,in saying that after what are some pretty heated conversations between the two, you have the time to digest the mind games being played and prepare yourself for whatever is coming next.
The scenes filmed in the basement between Seth, and Holly are so intense and enticing and what compliments this greatly is the dialogue, it’s simply brilliant. The exchanges between the pair intensify with each visit, and with this, we see the balance of power shift back and forth between the hostage and her keeper. After they’re through talking for the day, each of them are left with some food for thought, and sit rehearsing how they’re going to play out their next move in this most dangerous game of cat and mouse.

rsz_pet3Final Thoughts:
Although this film was the lowest grossing film of any theatrical release in 2016, taking in a measly $70, I’m struggling to come to terms with how such a good film can slump so badly in the theatres. It may be a lack of publicity, or just a sign of the times, with films being so readily available online… or simply that the film was released at a time, where it was swamped by bigger box office films. This really is one of the best psychological films that has come out in quite some time. Its extremely clever, brilliantly written, and fantastically performed. I expect that this film will do much better when released on VOD and will be one that i’m sure will be appreciated for the fine film that it is.

8/10

Alien Covenant Trailer – An Examination

Aalien-covenant-1280lien Covenant Trailer

Directed By: Ridley Scott
Written By: Michael Green, John Logan, Jack Paglen
Starring: Michael Fassbender, Katherine Waterston, James Franco, Noomi Rapace, Guy Pearce

Introduction:
Alien: Covenant, will slot into the Alien franchise, as the sequel to ‘Prometheus’, released in 2012, and the 2nd prequel to ‘Alien’, which was released in 1979, with all three films being directed by Ridley Scott. The original film was a meteoric success. It’s one of those films, that is up there as one of the best films of its generation, and even today, the fear inducing, claustrophobic nature of the film, makes it timeless classic, and one to be treasured.

alien-covenant-teaser-trailer-020Synopsis:
The crew of the colony ship ‘Covenant’, are headed for a remote planet on the far side of the galaxy. En route, they discover what they believe to be an uninhabited planet full of wonderment and possibilities. They soon find out, that they are not alone. And where they have landed, is in fact a hostile, dark, and volatile world, full of danger at every turn. The Covenant crew members, to their misfortune, soon discover something they could never have imagined… even in their worst nightmares. Somehow, someway, they must make their escape.

What Do We Know?
Before the trailer for Alien: Covenant was released, there was some delightfully dark artwork released. Below, you will see what has got us Alien fans salivating. Will we see the return of the Xenomorph? Or at least start to learn of their origins? Is this a new breed of Alien?

fotorcreatedFrom the start of production, Ridley Scott made it clear that this movie would be going in a direction similar to the first Alien film. He also said that there will creatures bursting out of bodies, and lots of blood and violence. For fans of this franchise (myself included), this all sounds like great news, but can it be delivered? Its no secret that due to studio involvement on Prometheus, the studio wanted to have a franchise, and milk the Alien cash cow for every penny they could get. So instead of getting the direct prequel to Alien, (like most fans thought) we got a film, that had absolutely nothing to do with Alien.

When a sequel was announced, the big question was always going to be about the direction of the sequel. Would it continue on the Prometheus route, and remain removed from the Alien story line? Or would we finally get a film that will link up to Alien? From the look of the trailer, we’re moving in the right direction for sure. One thing we know for sure, is that the Alien creatures that featured in Prometheus, will not be returning. Only the engineers, and the black goo will feature.

fotorcreated1The Trailer:
The start of the trailer, is very reminiscent of the intro to the first Alien film, showing us long, narrow corridors and walkways. It brings back that familiar claustrophobic feeling. In the below screen shots taken directly from the trailer, we can see one of the walkways, with bloodied footprints, and they’re not from a human.

Very early in the trailer, we’re hit with a bombshell. We see a male, in the midst of a seizure, and then his back starts to burst open. It would seem then, that this is first sign of a new breed of Alien.

Interestingly, Michael Fassbender, (who portrayed the android character, ‘David’ in ‘Prometheus’)  in an interview with BBC Radio 2, let slip that the new type of Aliens that we will see, are called ‘Neomorphs’ or more simply, ‘Back Busters’.

fotorcreated2The next question has to be, ‘How do this new breed of Alien, come to be’? With information sourced from AvP Galaxy, i’ll go ahead and tell you in my own words.

Remember the black goo we saw in Prometheus? The planet, that the crew of the Covenant have travelled to, is covered in this goo, and it has mutated the local ecosystems. Large patches of black pods have formed on the ground, and on trees. As pictured above, if these pods are disturbed, or stepped on, they release spores, which enter the human body through the ear or the nose.
screenshot-2016-12-30-at-16-25-12The alien then grows within the infected human host, and when its time, bursts out through either the back or throat. The Neomorph shares some similarities to the ‘Deacon’ alien we saw at the end of ‘Prometheus. When it breaks out of its human host, it used its pointed head and two dorsal spines, to break free of its embryonic sack. When born, the Neomorphs are white in colour, and at first, they will walk on four legs, and when fully grown, stand up and walk on their two back legs.

This all sounds very exciting then. But… there is more. The crew uncover a huge patch of eggs. And bursting out of them, are the face-hugger. That’s right, they’re back. And I can imagine that can mean only one thing? The return/rebirth of the Xenomorph. There are still a lot of unanswered questions then, which is exactly what a trailer should be leaving you with. I honestly cant wait to see what comes next with this film, and really hope it can live up to all the early hype its receiving.

John Dies At The End (2012) Review

mv5bmtuynziynzc0mv5bml5banbnxkftztcwotm5odg1oa-_v1_John Dies At The End (2012)

Directed By: Don Coscarelli
Written by: David Wong (Author) and Don Coscarelli (Screen Adaption)
Starring: Chase Williamson, Rob Mayes, Paul Giamatti. Arnie Blondestone, Clancy Brown, Glynn Turman
Release Date: 22 March 2013
Score: 9/10

Introduction
‘John Dies At The End’, is a horror/comedy/fantasy film, which stretched my mind to lengths I never thought possible. Not only is this film extremely clever, its absolutely hilarious, and terrifying at the same time.
You’d be forgiven, for thinking that the title of the film, perhaps ruins the ending, and things don’t really end to well for John, but you’ll soon come to find out, that things are not quite as clear cut as they may seem.

Synopsis:
There’s a drug called ‘Soy Sauce’. The sauce for short. The people that use it, or come into contact with it, develop the ability to travel through time and space, to different dimensions. When they come back, sometimes, they’re no longer human, and bring back with them, all manor of demonic creatures, and worst of all, an evil entity, that goes by the name of Kurok, intent on wiping out humanity. The fate of the world, is in the hands of John and Dave. Two college drop out, lay about’s, who’s day job revolves around being demon spiritualist/exorcists, kicking the ass out of anything evil coming over to their plane. The pair are about to embark on a make or break journey to face evil, and save the world.

john-dies-at-the-end_10Review:
From the director of the hilarious horror/comedy ‘Bubba Ho-Tep’, comes ‘John Dies At The End’.
The way the film begins, does not ease you in gently, and this is a good thing. The energy needs to be up to make something like this work, and it does, to great effect. This is one of those films that will immediately encapsulate you. It’s not a film to watch on a Friday night with a beer and a group of friends, who are going to talk through the integral parts of the formation of the plot, and then 10 minutes later, say this film is confusing, and they don’t know whats going on.

The first few lines of dialogue, are both confusing but utterly intriguing and leave you wanting to know more about what this guy is babbling on about. As the story is further introduced to you, in what I can only describe, as some of the most insane, and best delivered dialogue, my ears have had the privilege of hearing, you begin to understand more of how this man known as David Wong, has come to be who he is, and form an appreciation for what he does, what he has been through, and what he is going to go through.

Lets set the scene. David Wong, sits down for an interview with a journalist called Arnie. He wants to make public, the adventures that he and John have been through, Therefore, you can probably guess that the plot centres around a flash back, were David recounts his story, of a series of fascinating, and utterly terrifying events. It revolve’s around he and his friend John, how they came into contact with ‘The Soy Sauce’, and how their lives dramatically changed from that very moment.

john-dies-at-the-end-soy-sauce-550x229The soy sauce, which is also referred to as ‘The Sauce’ is a horrible looking black goop in a syringe, its alive. It will literally grow spores, turn into a small fly and find its way into your body. If you come into contact with it, you’re whole world is going to change, and you’re life is never going to be the same again.  The sauce isn’t evil, and doesn’t use a person as a host. It heightens every sense, and opens up many gateways. Your brain will work faster than any computer, you can communicate telepathically, you can pass between dimensional planes, and scariest of all, you can see the evil creatures that are hidden just out of sight, that are all around us. The kind that you only see in the corner of your eye, if you concentrate hard enough, and you’re unlucky enough to see it. The grease trap of the universe is in your line of sight, and you can fight or die, or, be consumed by evil, and used as a host to serve its will, and then die. Either way, you’re gonna need to get your pistol, and get ready.

In every good film, next to the lead characters, there’s always the person in the supporting role, that just ties it all together nicely. In this film, its the detective. His dialogue is brilliant. Like all the dialogue in the film. not only is it clever, but it has wit, and humour.
One seen in particular, at ‘Robert Marley’s’ trailer, the detective comes into his own, and the film goes up another level from this point.

maxresdefaultThe evil creatures Dave and John are fighting against, and the way the evil trying to consume the earth, always needs a host, to fulfil its will, they all have a feeling of the creature(s) in John Carpenter’s ‘The Thing’. They’re gross, hideous looking things, and the poor souls that become the hosts to these things, once they’re no longer of any use, they meet a truly brutal, and vicious end to their existence.

Make no mistake about it… As wonderful as the fantasy element is in this film, and how funny it is, and how witty, and clever the dialogue is… the horror element is brutal. There is one scene especially, when they pass to another dimension, that sees something you could only attribute to the nazi’s. Human beings are thrown into a mass grave while still alive, and then the rest of that scene becomes animated, like something akin to Tarantino’s Kill Bill… I will say that the violence is not human on human, but there is lots of blood, dismemberment and decapitation. ‘Groovy’.

2016 saw the revival of scary clowns, both in film and popular culture. In this film, there is no clowns, ghosts, or zombies. But if spiders, snakes, and creatures so disgusting, your mind couldn’t even begin to comprehend them, make you squeamish, then you’ll be watching this film through your fingers.

But never fear, because alongside David and John, is their boss, and all round bad ass, ‘Marconi’. The superb ‘Clancy Brown’ portrays this living god superbly. He is a mentalist/spiritualist/exorcist and everything else all in one. With a single thought, or the mere muttering of a single word, he can make a demon literally explode. If our two hero’s find themselves literally up to their necks in it, enter ‘Marconi’ with the solution.

john-dies-review-3Since first seeing this film, it’s one of those that I have always gone back to, and will regularly recommend to anyone looking for a decent film. When I speak about it to people, and they have no clue what i’m talking about, it shouldn’t, but it astounds me that this film never got more coverage than it did. It has a cult following sure, and maybe its better that way. The majority of the better films are. The film isn’t just solid, it isn’t just funny, dark, and outlandish… its completely brilliant and enlightening, and a film that everyone should see at least once in their life.

9/10