Directed by Robert Conway
Written by Owen Conway & Robert Conway
Starring Monica Engesser, Amelia Haberman, James Ray
UK DVD Release – TBC
On Demand from 3rd Nov – https://itunes.apple.com/us/movie/krampus-the-reckoning/id1040695365
“Zoe, a strange child has a not so imaginary friend the Krampus who is the dark companion of St. Nicholas.” Courtesy of IMDB
Its official. Christmas is becoming the new Halloween. Besides the excellent TALES OF HALLOWEEN, you’d be hard-pressed to find many Halloween-themed horror releases this year. But Christmas? We have Trick ‘R’ Treat creator Michael Dougherty’s studio release KRAMPUS, William Shatner starring A CHRISTMAS HORROR STORY, and now KRAMPUS: THE RECKONING. Keyword here: KRAMPUS. KRAMPUS KRAMPUS KRAMPUS. If KRAMPUS is not yet a household horror name, he will be by the end of this year…
So how does KRAMPUS: THE RECKONING compare to the big boys? Surprising underdog or worthless cash-in? To be honest, kind of in the middle.
Zoe is a weird girl. she’s a problem child, with a white trash mom and deadbeat dad who treat her like dirt. But they will regret that when, using creepy, well-designed voodoo style dolls, Zoe summons her best bud, the big bad Krampus, who proceeds to melt her parents faces off! The police, led by Detective Miles O’Connor (a chilled out James Ray) are baffled and put Zoe into care, where Child Psychologist Dr Rachel Stewart (Monica Engesser) tries to get the truth out of here.
But Rachel soon realises that Zoe is no normal little girl, and is willing to summon her terrifying pal to do her dark deeds at any given moment…
It begins with an effective title sequence that is both visually astute and well-written, that classic fairytale feeling of an old lady telling her granddaughter the story of the Krampus on Christmas Eve. With seasonal production design and warm red lighting, it certainly sets a tone.
But then the present day story starts and the quality takes a dip. The visual style changes and that good will starts to fade with slow, drawn out scenes of mumbling dialogue from characters with no defining personality. The pace is fine, but it could have been even tighter, and in fairness, this is actually an interesting story. While it’s easy to poke holes in, the plot takes some interesting turns towards the end that I actually didn’t see coming, showing the filmmakers had more ambition than to just get confused with bigger budget films on the DVD shelves.
But there is one MAJOR issue here that bogs the film down. Is it the direction? No, working with what looks like a tiny budget, director Robert Conway (Exit To Hell) is quite consistent and effective, even if the editing could have been tightened up. Is it the acting? Not really, the leads are game even if their characters are bland, and little Amelia Haberman is just as good as any kid actor in a studio film?
No, the major issue here is the Krampus himself. Not only is he barely even in the film due to long scenes spent on the shrink and the cops flirty banter, but he looks absolutely abysmal. This is easily some of the worst CGI I have ever seen. It’s on the level of Playstation One graphics. And it’s really distracting.
It’s frustrating as, even with a tiny budget, I’m pretty sure some tweaks in his design could have made it possible to be a man in a suit. But instead it’s just really bad visually, which results in laughter when there should be screams.
BUT if you can look past this, then grab a beer, pop on Krampus: The Reckoning and if you’re a die hard horror fan you should still find things to like about it. It’s got gore, creepy kids, and it’s fair share of nudity. What more do you want on Christmas Eve?
Advice to low-budget filmmakers: CGI is not your friend. Leave it be.