Starring Sophia Disgrace, Rahel Kapsaski, Lee Mark Jones and Rusty Goffe
Written and Directed by Salem Kapsaski
Available NOW online at – http://watch.troma.com/
“Poverty stricken lovers Eden and Matilda have enough trouble just getting through the days. Their Landlord is trying to terrorize them and strange things seem to be going on at “Juicy Girls”, the place where Matilda works… but when Eden buys a pet spider the real troubles start.”
Despite a myriad of technical issues, Spidarling’s is a pretty endearing piece of trash cinema, and it’s easy to see why it was picked up by Troma.
Opening with a funk-tastic animated title sequence that’s accompanied by a quite polished punk song, Spidarling’s immerses you unapologetically in the lives of skint couple Eden and Matilda, lovers who are the definition of punk. Their tiny flat and style screams “I don’t give a fuck and I don’t give a fuck if you give a fuck that I don’t give a fuck” but a lot of this is blamed on their lack of income. Eden is smart but lazy and doesn’t work, and Matilda appears to just lounge around the burlesque club Juicy Girls. Bored, fed up, behind on their rent and without a clue what to do. Enter, a spider!
For what will be a penny budget Spidarlings doesn’t lack ambition. While technical issues are rife, the experimentation is great to see. Lots of inventive animation and sudden disorienting edits, as well as ransom cutting to songs all really sell the attitude and world of the characters.
However, Spidarlings falls into a lot of traps that show a lack of experience. Whether down to a choppy colour grade or lack of equipment, the film looks as if it were shot on a consumer camcorder from the nineties. It misses a lot of visual detail and just looks jarring. Also the sound was flimsy. Eden seems dubbed in post while Matilda is often inaudible, and many of the musical sequences are either too loud or too quiet.
But then again, this all adds to the DIY, trashy John Waters micro-budget transgressiveness of it all. You don’t feel like you’re dealing with a safe group of filmmakers, which is great. And it’s two hour runtime manages to flirt from body horror, domestic melodrama, black comedy, slasher and musical as if it’s on shuffle. Each situation however shares a common theme, and that is the strong undercurrent of feminism. Every bloke around the lovers is either a pervert, greedy fucker and often much worse. Some of it doesn’t always hit the spot but that’s the risk of throwing the kitchen sink in there.
The performances are eager and veer from OTT, to delightfully strange, or almost zombie-like and it all adds to the kaleidoscope of tones. Disgrace and Kapsaski hold the thing together and are a surprisingly sweet couple. Along with the engaging leads and diverse supporting cast are the the tunes, and again while the recording and editing holds them back, they are still surprisingly catchy and may just stick in your head for better or worse!
With gallows black humour and a story that throws the rules out the window, Spidarlings won’t be for everyone. And it can’t be denied that at two hours it’s way too bloody long. But for fans of John Waters, Troma and underground cinema you could do a lot worse. One thing is undeniable, the feminist blood runs strong through this with, viscerally and unapologetically.
Is this a good film? I’m not sure it’s trying to be. But it’s an experience.