About Andy Deen

A horror fan for as far back as I can remember . The first things that scared me were Doctor Who and the BBC ghost stories . As an early teen the video revolution came along and with it the Video Nasty campaign , and through all that I immersed myself in all things nasty. I love Slashers, Haunted House Stories and Devil Worshipping/Panic Films . I watch too much horror , listen to loud Heavy Metal and enjoy the odd tattoo \m/\m/

In Search of Darkness – The Definitive 80s Horror Documentary Launches Kickstarter

IN SEARCH OF DARKNESS – THE DEFINITIVE ’80S HORROR DOC

THE DEFINITIVE ’80S HORROR DOCUMENTARY. Bringing the Horror community together to celebrate the most iconic era in cinema history.

The Kickstarter for this amazing project is NOW LIVE and HERE 

Be sure to read below and check out their page for how you can not only be a part of this unique horror experience BUT also get one of the many amazing perks available to backers.

The 1980’s exploded onto our screens in a veritable feast of blood, sweat, and chills. Madmen, killers, and evil spirits mingled with aliens, demons and cursed dolls; horrific images burnt directly onto our retinas and etched permanently into our brains. And we loved it.Hearts pounding, palms sweaty, muscles tense; that thrill of creeping dread was matched only by the satisfaction of knowing the person in the next seat was even more terrified.

It showed us how to confront the times we live in through a skewed mirror – all twisted angles and razor edges; ideas and visions so sharp they could almost cut you, twisting our everyday fears and giving them a face. This was a time when greed was good and our bodies were no longer our friend. Cronenberg, Yuzna, Carpenter, Craven – all gave us the chance to see the horror within society and within ourselves.

Limited Edition Artwork by Legendary Horror Artist Graham Humphreys

Hysteria over AIDS transplanted body horror from the hospital onto our screens, while “Gordon Gecko” levels of excess and fears over rising violent crime met their match in increasingly over-the-top Slasher flicks. But this was a genre with more to offer than cheap scares, from Steven Miner’s comedy horror of ‘House’ to the daunting practical effects of Stuart Gordon’s ‘Re-Animator’ one of the defining characteristics of 1980’s horror cinema was its sheer range and imagination when it came to examining our mortality. For the first time, technology became the tool through which these ghouls could invade our homes, staring out at us from eye-popping VHS tapes, ready to scare us again and again at the touch of a button.

For many of us, this was our only option. The 1980’s saw many new releases banned from our local rental stores amidst protests and public outcry – but that didn’t stop us from sharing copies; grainy 3rd generation bootlegs that lost none of their ability to scare. Gloved killers stared out at us from cool t-shirts, Fangoria reviews kept us hooked, and entire weekends were spent chasing our next scare through the dusty aisles of the local mom-and-pop VHS rental store – the ’80s gave us exactly what we craved.

Join us as we descend once again to explore how an industry that grew from the minds of outsiders, punks, and rebellious teenagers became a cultural leviathan that left the rest of society SCREAMING foul murder.

Turn the lights down, lock your doors, check behind your curtain and under your bed… We are going to see some old friends tonight.

WHAT WILL BE COVERED?

Learn about the era from the perspective of the masters who frightened us, the directors of today who were inspired by them, and the new generation of social media influencers who have fallen in love with the genre.

Hear from the actors, writers, directors, producers, and composers who brought horror icons such as Freddy Krueger, Jason Vorhees, Michael Myers and Pinhead to the screen.

Delve into the imagery: the garish VHS covers and poster art that seduced us and came to define the ’80s horror aesthetic.

Re-examine the socio/political context that inspired our favourite movies – fears of nuclear war, violent crime, and deadly diseases.

Explore the rise of the B-Movie superstars: Bruce Campbell, Jeffrey Combs, and Robert Englund; stars that could guarantee success for what was an otherwise overlooked sub-genre.

Investigate how the explosion of VHS enabled these icons of horror to take the leap from the movie screen into our homes and created new opportunities for low-budget filmmakers.

Examine the role of practical in-camera effects, animatronics, and prosthetics played in scaring us in a time before CGI.

Discuss the importance of the ’80s horror genre and its impact on society, including how its violent and explicit imagery opened-up new political, sociological, and cultural discussion.

To accomplish this, we’ll be producing both a standard-length documentary and an additional extended cut version, both of which will be made available to the backers who will receive the documentary.

A huge cast of 80’s horror icons are attached (see pic) and many other names from the horror world. This could well be THE definitive 80s horror documentary and YOU could be a part of it .

FILMFEAR 2018 – Manchester’s Halloween Horror Fest – Returns to HOME for 6 days 26th-31st Oct

FILMFEAR 2018 PROGRAMME ANNOUNCED – HALLOWEEN HORROR FEST RETURNS TO MANCHESTER’S HOME IN ASSOCIATION WITH FILM4

PREVIEWS OF HOTLY ANTICIPATED NEW HORROR HITS, A TRIO OF GENRE CLASSICS AND UNIQUE SPECIAL EVENTS

Fri 26 – Wed 31 Oct

HOME and Film4 are excited to announce the programme for the third annual FilmFear season – six days of horror, extreme cinema, cult favourites and special guests coming to Manchester this October.

Acclaimed Scandi fantasy Border, co-written by the author of Let the Right One In, kicks off the season on 26 Oct and is the first of eight new films from across the globe to screen over the six-day event. A visceral fusion of Nordic noir, social realism and supernatural horror, Border’s genre-defying tone is matched in fellow Swedish title Videoman, a mystery-thriller/relationship-drama that will surprise audiences with its tonal shifts, while the chilling horror St. Agatha from celebrated filmmaker Darren Lynn Bousman (Saw II, III, IV) bolsters the emerging ‘Nunsploitation’ genre. Let the Corpses Tan is a ferocious take on Euro Westerns and Italian crime ‘Poliziotteschi’ genre from Belgian directing duo Hélène Cattet and Bruno Forzani (The Strange Colour of Your Body’s Tears), and genre fans can find some light relief in horror comedy One Cut of the Dead, the cult sensation from Japan that turns the zombie movie on its head. US teen-revenge horror Assassination Nation – a biting black comedy set in a suburban town at the mercy of an online hack attack – will have a special preview before its November release, and the much-hyped Sundance and Cannes smash-hit Mandy, starring a blood-soaked Nicolas Cage alongside Andrea Riseborough and Linus Roache, will be a must-see on HOME’s biggest screen.

British talent is also at the fore of the uniquely terrifying Possum, the film-making debut from Matthew Holness, starring Mission Impossible villain Sean Harris and veteran actor Alun Armstrong. Best-known for playing Garth Marenghi in the cult Channel 4 series, writer-director Holness adapted his own short story for the screenplay; Holness will be signing copies of the story as featured in the recently re-issued anthology ‘The New Uncanny’ before the screening, as well as participating in a post-screening Q&A. Also in attendance at FilmFear is actor-writer-comedian Toby Hadoke who will take part in a Q&A following a special “listening event” of Nigel Kneale’s The Road. Based on the legendary lost 1963 TV play and scripted by Hadoke for BBC Radio 4, The Road stars Mark Gatiss and Adrian Scarborough and tickets to the broadcast will be free to anyone with a FilmFear screening ticket.

Screening alongside these hot new titles are three classic horrors for film fans to revisit or discover on the big screen: two films from the horror grandmaster, John Carpenter – conspiracy theory sci-fi They Live and haunting ghost-story The Fog; and Sam Raimi’s remarkable debut, The Evil Dead, which brings the season to a ferocious finale on 31 October.

The FilmFear season also returns to Film4, with a season of premieres, discoveries and channel favourites running for six nights from Friday 26 to Wednesday 31 October. Included in this year’s line-up are television premieres of the acclaimed folklore horror hit The Witch; the woodland terror of 2016’s reboot Blair Witch; director Johannes Roberts’ The Other Side of the Door; the twist-filled Pet, starring Dominic Monaghan; found-footage cult hit The Taking of Deborah Logan; and M. Night Shyamalan’s surprise-filled The Visit. And coming to the channel from last year’s HOME programme is Kaleidoscope, the psychological chiller starring Toby Jones and directed by Rupert Jones.

FilmFear is curated by David Cox, Film4 Channel Editor, in partnership with HOME.

David Cox commented: “It’s great to be returning with the FilmFear season for a third year, with a programme of films we’re excited to be sharing with the HOME audience. Horror comes in so many different forms, and this year’s line-up celebrates that variety both in terms of subject and style. The genre itself seems to be more popular than ever at the moment, both at the cinema and on TV, but the films we’re showing prove that this success isn’t just a fad, with stories rooted in a wide range of traditions and cultures.”

Jennifer Hall, Film Programme Producer at HOME, added: “We’re thrilled to be welcoming back FilmFear to HOME for a third year, in collaboration with Film4. From Nicolas Cage to Nunsploitation, this year’s programme is a real Halloween treat for horror-hungry fans. We’re looking forward to unleashing this stand-out selection of the best new horror from across the globe alongside classic horror titles, and to welcoming some very special guests.”

FILMFEAR
PROGRAMME DETAILS

Border (Gräns)
Fri 26 Oct, 20:30
Dir Ali Abbasi/SE DK 2018/108 mins/Swedish wEng ST
Eva Melander, Eero Milonoff, Viktor Åkerblom
A customs official with a super-sensitive sense of smell is drawn into a conspiracy that turns out to have a bizarre folkloric twist. Based on a story by John Ajvide Lindqvist, the author of Let the Right One In, this genuinely surprising Scandi thriller blends fantasy, romance and horror to end up as something entirely unique.

 

Listening event: Nigel Kneale’s The Road + Q&A
Sat 27 Oct, 14:30
Dir Charlotte Riches/GB 2018/45 mins
Mark Gatiss, Adrian Scarborough, Hattie Morahan
Mark Gatiss and Adrian Scarborough star as a philosopher and scientist investigating ghostly outbreaks in a country wood in 1768. Nigel Kneale’s legendary lost 1963 TV play has been adapted for BBC Radio 4 by Toby Hadoke.
Event: This special listening event will be followed by a Q&A with actor, writer and comedian Toby Hadoke.
Tickets: Free to anyone attending other FilmFear events

One Cut of the Dead (Kamera o tomeru na!)
Sat 27 Oct, 18:10
Dir Shin’ichirô Ueda/JP 2017/96 mins/Japanese wEng ST
Takayuki Hamatsu, Yuzuki Akiyama, Harumi Shuhama
Beginning with an almost 40-minute single-take set piece that sets the tone for what’s to come, this cult sensation from Japan is a zippy, silly meta-comedy that’s stuffed with great, self-referential gags about making low-budget horror movies. The physical humour is perfectly applied to the zombie action, but it’s the development of the character comedy across the film’s three distinct acts that really helps deliver the crowd-pleasing climax. All together now: POM!

Mandy
Sat 27 Oct, 20:20
Dir Panos Cosmatos/US BE 2018/121 mins
Nicolas Cage, Andrea Riseborough, Linus Roache
A wild and grandiose story of love, revenge and the supernatural, Panos Cosmatos’ follow-up to Beyond the Black Rainbow at times feels like a cinematic sculpture rather than just an out-there, blood-soaked Nicolas Cage movie – though it’s very much the latter too. Cage goes crazy when love of his life Andrea Riseborough is spirited away by a dark-magic cult, and the film itself goes right along with him. This is one you have to see on the big-screen, not just for the visuals but also for the score by the late Johann Johannsson (Sicario, Arrival).

They Live
Sun 28 Oct, 16:00
Dir John Carpenter/US 1988/95 mins
Roddy Piper, Keith David, Meg Foster
Conspiracy theory sci-fi from John Carpenter that’s a firm fan favourite thanks to its mix of goofy B-movie stylings and subversive satire. Aliens move amongst us using subliminal imagery to control our minds. Luckily for humanity, wrestler-turned-actor ‘Rowdy’ Roddy Piper can literally see through their sinister plans with his x-ray specs and he takes the fight to them in a more physical fashion.
They Live also features one of cinema’s all-time great brawls – a real bare-knuckle showstopper – and, of course, another memorable John Carpenter score.

Let the Corpses Tan (Laissez bronzer les cadavres)
Sun 28 Oct, 18:20
Dirs Hélène Cattet, Bruno Forzani/FR BE 2017/92 mins/French wEng ST
Elina Löwensohn, Stéphane Ferrara, Bernie Bonvoisin
The directors of Giallo tributes Amer and The Strange Colour of Your Body’s Tears return with a ferocious take on Euro Westerns and the Italian ‘Poliziotteschi’ genre. A remote artist’s hilltop hideaway is the setting for an all-guns-blazing stand-off between crooks and cops in this violently beautiful work of art, a film in which infinite care has been lavished on every single extreme second.

Assassination Nation
Mon 29 Oct, 18:10
Dir Sam Levinson/US 2018/110 mins
Odessa Young, Hari Nef, Suki Waterhouse
A clique of high school girlfriends find their lives exposed when a stranger starts revealing their online secrets to the world, forcing them to take no prisoners in an attempt to calm the storm of scandal. The biting black comedy and violent action is a blast, but there’s also a strong horror vibe to this tale of societal breakdown.

 

Videoman (Videomannen)
Mon 29 Oct, 20:40
Dir Kristian A. Söderström/SE 2018/93 mins/Swedish wEng ST
Stefan Sauk, Lena Nilsson, Morgan Alling
One of the stand-out discoveries at August’s FrightFest, this mystery-thriller will strike a chord with anyone who’s ever collected VHSs, DVDs or any form of physical media. It’s also a treat for retro horror fans, as it follows the travails of a videotape obsessive who gets his hands on a rare item that could solve all his problems. However, his carefully ordered existence (and tape archive) is threatened when the Giallo-style plots of his favourite films intrude into his everyday life. All of a sudden, not rewinding a tape doesn’t seem like such a heinous crime after all.

Possum + Q&A
Tue 30 Oct, 18:20
Dir Matthew Holness/GB 2018/85 mins
Sean Harris, Alun Armstrong, Charlie Eales
Harris is on magnificently twisted form as Philip, a troubled children’s puppeteer battling surreal secrets from his past and Possum, the hideous hand puppet he keeps in a black leather case. Philip finds escaping the will of Possum is as hard as dealing with his demons.
Event: We will be joined by director Matthew Holness for a Q&A following this screening.

 

The Fog
Tue 30 Oct, 20:40
Dir John Carpenter/US 1980/90 mins
Adrienne Barbeau, Jamie Lee Curtis, Janet Leigh
Looking to continue the terror but in a different style, John Carpenter followed up his smash-hit Halloween with this effectively spooky ghost story evocatively set in a California coastal town. One hundred years after the sinking of a ship in local waters a mysterious fog rolls in, bringing with it strange events and spectral figures. A roll-call of genre favourites – Jamie Lee Curtis, Janet Leigh and Adrienne Barbeau – attempt to solve the mystery, with Carpenter providing a supernatural atmosphere and a spine-tingling score.

St. Agatha
Wed 31 Oct, 18:30
Dir Darren Lynn Bousman/US 2018/90 mins
Sabrina Kern, Carolyn Hennesy, Courtney Halverson
An atmospheric chiller from director Darren Lynn Bousman, veteran of the Saw franchise (II, III and IV). A young pregnant woman, desperate to keep her identity secret, identifies a rural convent as a safe place to have her baby. However, this sinister story goes to some very dark places as the domineering Mother Superior’s gruesome plans are slowly revealed.

 

The Evil Dead
Wed 31 Oct, 20:40
Dir Sam Raimi/US 1981/85 mins
Bruce Campbell, Ellen Sandweiss, Richard DeManincor
A horror classic returns to the big-screen for Halloween, with cult leading-man Bruce Campbell fighting the eternal evil laying siege to his cabin in the woods. Stephen King dubbed this ‘the ultimate experience in gruelling terror’ back in the early 80s and, although it’s since been reappraised by some as a horror-comedy, King’s initial take still stands – despite some slapstick gore, director Sam Raimi’s remarkable debut is relentless, ferocious and unapologetic nightmare fuel.

Tickets are now on sale now via www.homemcr.org/filmfear or the HOME Box Office on +44 (0)161 200 1500.

Grimmfest 2018 – 10th Anniversary Full Line-Up Revealed

“I WANT MY CAKE!”

This year, GRIMMFEST, Manchester’s Festival of Horror, Cult and Fantastic Film, celebrates its 10th anniversary. Get ready for decimation, with the darkest, deadliest line-up yet of wild, weird, witty, thrilling, chilling, blood-spilling movies, every one of them a premiere or cult classic of one kind or another, many with cast and crew in attendance.

But Grimmfest will also be looking back, a little nervously over its shoulder, perhaps, at a decade spent delivering top-quality cinematic carnage to the movie-goers of Manchester, and beyond. Beginning with a return to its bloodsoaked origins, and an anticipation of the future, in a special Festival Preview show on Monday 1st October…

IT’S (STILL) GRIMM UP NORTH!

Originally, the festival was known as “Grimm Up North”, in sardonic acknowledgement of its location, and as a declaration of support for filmmaking in the region. So what could be more appropriate as an anniversary celebration than a special North-West programme, featuring three new shorts and a retrospective screening of the film without which the festival would not even exist… Festival Directors Simeon Halligan and Rachel Richardson-Jones’s debut feature, the dark psychological horror fable, SPLINTERED, fully remastered, and in a razor-sharp new cut. From Once Upon A Time… to …Happily Ever After? Only time will tell. For now though, a chance to reacquaint yourselves with this truly Grimm Fairy Tale.

This celebration of North-West talent will also feature a special family-friendly screening of CBBC and DHX’s horror anthology CREEPED OUT. Co-creators and showrunners Bede Blake and Robert Butler will present their favourite UK and favourite Canadian episode from Season One and, if we are lucky, share an insight into what’s in store for the new series.

SOMETIMES THEY COME BACK…

Which might be why this year’s classic screening, opening the main body of the festival, is RE-ANIMATOR, presented and introduced by Grimmfest’s guest of honour Barbara Crampton, who will also be in attendance for 2 brand new films making their regional debuts: PUPPET MASTER: THE LITTLEST REICH and DEAD NIGHT. Barbara will also be receiving the first Grimmfest Lifetime Achievement Award, sponsored by Horror Channel.

The Grimmfest Team are not ones to indulge too much in nostalgia, however. The past is dead and gone. Except when it refuses to die, of course. Or returns to haunt you. In an attempt to lay to rest any unquiet spirits, therefore, the festival is delighted to be welcoming back many of the fearsome filmmakers who have been such a major part of its bloody history over the past decade. Rob Grant (FAKE BLOOD, MON AMI) presents the UK Premiere of the truly outrageous ALIVE. Johnny Kevorkian, whose THE DISAPPEARED screened at the very first festival, returns with the Northern Premiere of the claustrophobic sci-fi horror AWAIT FURTHER INSTRUCTIONS. There’s the UK Premiere of Gothic noir I’LL TAKE YOUR DEAD from Chad Archibald (ANTISOCIAL) and the Northern Premiere of SUMMER OF ’84, a bitter little antidote to all of the current nostalgia for the Eighties, from the talented trio behind Grimmfest favourite TURBO KID.

In keeping with the theme of welcome returns, the festival also presents a couple of startling cinematic reboots – or revenants if you will. Indonesian maestro Joko Anwar (MODUS ANOMALI) makes a Grimmfest comeback, with his unsettling reimagining of obscure cult oddity SATAN’S SLAVES, already a huge box office smash all over South East Asia, and now receiving its UK Premiere; while Scandinavian shock-auteurs Sonny Laguna and Tommy Wiklund (WITHER) resurrect Charles Band’s cult classic series for a new generation with the mischievous PUPPET MASTER: THE LITTLEST REICH, a Northern Premiere (and Barbara Crampton’s second film of the festival), and also treat festivalgoers to the World Premiere of their latest short, MYSTERY BOX.

Alejandro Brugués, director of another Grimmfest favourite, the riotous JUAN OF THE DEAD, joins fellow masters of the macabre, Joe Dante, Mick Garris, Ryûhei Kitamura, and David Slade for the much-anticipated all-star horror anthology NIGHTMARE CINEMA, another UK Premiere, and Lora Burke, powerhouse star of POOR AGNES returns in the Greater Manchester Premiere of Justin McConnell’s emotive body-horror love story LIFECHANGER.

NEW FACES IN HELL…

But just in case you thought this year’s Grimmfest was simply one big reunion party, there are also some Grimmfest first timers…

The festival is delighted to host the European premieres of Daniel Robbins’ nail-biting PLEDGE and Olivier Afonso’s outrageous GIRLS WITH BALLS. Also screening are UK Premieres of the hilariously twisted BROTHERS’ NEST from Australia’s Clayton Jacobson, the gruesome FRAMED from Spain’s Marc Martínez Jordán and Lin Oeding’s savagely satirical OFFICE UPRISING.

The line-up also features a raft of regional Premieres, including the Northern Premieres of Jon Knautz’s unsettling THE CLEANING LADY, Aislinn Clarke’s chilling THE DEVIL’S DOORWAY, Andy Mitton’s eerie THE WITCH IN THE WINDOW, and Issa López’s magical TIGERS ARE NOT AFRAID. Also screening are the Greater Manchester Premieres of Nicolas Pesce’s perverse and discomforting anti-Rom-Com, PIERCING and Bradford Baruh’s demented DEAD NIGHT, again starring Grimmfest’s very special guest Barbara Crampton.

All this plus a brutal brace of short film programmes, which sees a focus on female creators and the return to Grimmfest of Faye Jackson, director of STRIGOI, another classic film from the festival’s opening year, with her new short THE WOMAN WHO HID HER FEAR UNDER THE STAIRS.

And to close… Christmas comes early, with the Greater Manchester Premiere of zombie high school musical extravaganza, ANNA AND THE APOCALYPSE, guaranteed to send you dancing off into the night…

All selected films are in the running for the previously announced GRIMMFEST AWARDS. Grimmfest recently revealed that it is partnering with film financing group BCL to offer £40,000s worth of post-production services to each of the winners of the BEST FILM and BEST DIRECTOR awards categories.

Grimmfest’s 10th edition will take place from the 4th to the 7th October at the ODEON Manchester Great Northern, UK, with a Preview Night taking place on 1st October at the Plaza Cinema, Stockport.

The full line-up can be accessed from 9am on Monday 3rd September, via grimmfest.com, where full festival passes, day passes and individual film tickets can also be purchased.

Mayhem Film Festival 2018 announces THE DEVIL’S DOORWAY, MANDY, WHAT KEEPS YOU ALIVE, ONE CUT OF THE DEAD and NIGHTMARE CINEMA

Mayhem Film Festival announces THE DEVIL’S DOORWAY, MANDY, WHAT KEEPS YOU ALIVE, ONE CUT OF THE DEAD and NIGHTMARE CINEMA

As its 14th edition creeps ever closer, Mayhem Film Festival is proud to announce the next set of titles from this year’s programme.

Mayhem is to present a screening of Aislinn Clarke’s found-footage chiller The Devil’s Doorway. In rural Ireland in 1960, two Catholic priests are sent from the Vatican to investigate reports of miraculous activity in a remote home for ‘fallen women’, only to discover that altogether darker forces may be at work. Mayhem is pleased to welcome director Aislinn Clarke to take part in a post-screening Q&A.

Showing in the festival’s coveted Friday late-night slot, Nicolas Cage goes full… well, Nicolas Cage with a fantastically high-octane performance in Panos Cosmatos’ cosmic revenge thriller Mandy. Pacific Northwest, 1983 AD. Outsiders Red Miller and Mandy Bloom lead a loving and peaceful existence. When their pine-scented haven is savagely destroyed by a cult led by the sadistic Jeremiah Sand, Red is catapulted into a phantasmagoric journey filled with bloody vengeance and laced with fire.

Next up in this year’s programme is Colin Minihan’s grueling survival thriller What Keeps You Alive. On the eve of their first wedding anniversary, Jules and Jackie become embroiled in a merciless fight for their lives against the most unexpected of adversaries – each other. As violence rains down upon their idyllic forest getaway, the women engage in a frenzied physical – and psychological – battle that tests the very limits of their instinct to survive.

Also screening at this year’s festival is Shin’inchiro Ueda’s unmissable micro-budget zombie movie, and Japanese box-office sensation, One Cut of The Dead. Playing to sell-out audiences since its release, the film has made more than 250 times its budget, and counting. During the making of a small-scale zombie flick, all hell breaks loose when a real zombie outbreak erupts on set – a gleeful horror-comedy packed with seriously entertaining monster mayhem and an epic 37-minute single-take opening.

Wrapping up this second wave of announcements, Mayhem presents Nightmare Cinema, a new horror anthology uniting masters of genre cinema – including Mick Garris (Sleepwalkers, Masters of Horror) and Joe Dante (Gremlins) – for five gruesome tales of terror featuring sinister surgeons, brain-spiders and killer nuns.

Mayhem’s full line-up will be announced early September. Discounted Early Bird Passes are still available to purchase.

Mayhem Film Festival will take place at Broadway, Nottingham on 11 – 14 October 2018. For more information, please visit  www.mayhemfilmfestival.com

Grimmfest Reveals First Look at 2018 Programme

GENRE FILM FESTIVAL GRIMMFEST REVEALS FIRST LOOK AT 2018 PROGRAMME AND AWARDS PRIZES

Image: Nightmare Cinema, courtesy of Fortitude International

Manchester-based genre film festival GRIMMFEST is delighted to announce the first 3 of many UK premieres lined up for this year’s 10th anniversary edition. The festival can also now reveal details of some very special awards prizes on offer for films in the official selection.

Simeon Halligan, festival director and founder of Grimmfest, says “2018 is a very special year for us and to celebrate this we are proud to welcome back a number of talented filmmakers and actors who’ve shared their work with us over the past decade. We’re also pleased to introduce plenty of new talent to the festival, who we hope to see more work from in the years to come!”

The full festival programme is due to be unleashed on Monday 3rd September 2018, but Grimmfest is whetting audiences’ appetites with an early sneak preview of 3 of this year’s titles.

Grimmfest is thrilled to be hosting the UK Premiere of the much-anticipated NIGHTMARE CINEMA, a weird, wild and most welcome throwback to the classic EC-comics-inspired horror anthologies of the 1970s, from genre giants Alejandro Brugués, Joe Dante, Mick Garris, Ryûhei Kitamura and David Slade. Fresh from its world premiere at Fantasia International Film Festival, the film stars Mickey Rourke, Elizabeth Reaser, Richard Chamberlain and Annabeth Gish.

Alive

Director Rob Grant (FAKE BLOOD, MON AMI) will be making a welcome return to the festival with the UK Premiere of Canadian shocker ALIVE. Tense, creepy, darkly funny, and quite spectacularly gory in places, with a truly baroque performance from Angus Macfadyen (BRAVEHEART, SAW III/IV), this offbeat gem cements Rob Grant’s reputation of one of genre cinema’s true mavericks of morbid mischief.

Finally, Grimmfest is proud to announce the UK Premiere of the hilariously twisted Australian comedy BROTHERS’ NEST, courtesy of Signature Entertainment. Written and directed by Clayton Jacobson, who also stars in the film along with his brother Shane, this SXSW hit is an emotionally-charged pitch-black farce of squabbling siblings, filial ingratitude, thwarted ambition, broken dreams and brutal murder.

Brother’s Nest

These and all other selected films are in the running for the previously announced GRIMMFEST AWARDS, which will be judged by a fantastic all-female jury consisting of some of the brightest lights in contemporary Genre cinema.

Grimmfest can also now reveal that it is partnering with film financing group BCL to offer special prizes for the winners of the BEST FILM and BEST DIRECTOR awards categories. The winning films will each be awarded £40,000 worth of post-production services, which can be used against a future film.

Festival Co-Director Rachel Richardson-Jones says, “Our hope is that these awards will really help to boost productivity within the independent genre film sector, as well as demonstrating our commitment as a festival to supporting rising film talent. We intend to expand these awards further still in 2019.”

Michael Laundon, Managing Partner at BCL, adds “All of us at BCL are delighted to be one of the prize sponsors for Grimmfest 2018, especially in their 10th anniversary year. BCL was established with a quest to truly help independent movies to not only get made but to be finished. We hope to continue our support of Grimmfest in the years to come.”

Grimmfest previously announced actress and producer Barbara Crampton (RE-ANIMATOR, FROM BEYOND) as the recipient of their 2018 Lifetime Achievement Award, sponsored by Horror Channel. Barbara will be attending the festival in person to receive the award, where she will also present a special screening of 80’s horror classic RE-ANIMATOR.

Grimmfest’s 10th edition will take place from the 4th to the 7th October at the ODEON Manchester Great Northern, UK.

Full festival passes are on sale now from grimmfest.com. Day passes and individual film tickets will be released on 3rd September 2018, along with the full festival programme.

 

Torso Hacks It’s Way Onto Blu-Ray from Shameless Screen Entertainment – August 28th

rsz_torsoTORSO HACKS ITS WAY ONTO BLU-RAY!

From Sergio Martino, director of the stylish ALL THE COLOURS OF THE DARK and the truly disturbing MOUNTAIN OF THE CANNIBAL GOD, comes this fine gem of a slasher giallo that sits well up there with the best of Mario Bava and Dario Argento.

Delicious students, who we can only assume are studying for a masters degree in stripping, head off for a vacation in a mansion remote enough to ensure undisturbed carnage, should a killer be lurking nearby…

Luckily for fans of psychosexual thrillers, a black-gloved, saw-wielding nutter has followed them to their bordello of nudity and soon starts mutilating his way through a cast of fine beauties, including the ever delicious Suzy Kendall.

Now for the first time in the UK, sink your teeth into Sergio Martino’s sadistic giallo classic, restored on limb-slicingly glorious Yell-O-Ray!

Please note this is the reverse artwork – the main artwork will be revealed closer to the release date.

Release date: 28 August 2017

EXTRAS
Brand new interview with director Sergio Martino
Shameless trailer park
Collector’s reversible sleeve with new and original artwork

SPECS
Shameless numbered edition
Fully uncut
All region

Distributor: Shameless Screen Entertainment
Format: Blu-ray
Certificate: 18
Catalogue number: SHAM209
Release date: 28 August 2017
Year: 1973
Stars: Suzy Kendall, Tina Aumont, Luc Merenda

Michael O’Shea’s Amazing Vampire Feature Debut ‘The Transfiguration’ hits UK DVD & Blu on August 14th

rsz_transfigurationTHE TRANSFIGURATION | UK DVD and Blu-ray release 14th August 2017 Dir: Michael O’Shea Starring: Eric Ruffin, Chloe Levine

“A defining vampire film of the mid-2010’s” ★★★★ Empire
“Cleverly written coming-ofage horror” ★★★★ i Newspaper

“A strange, haunting film that sticks with you for days” Shortlist

An atmospheric, intricate study of a troubled young mind, THE TRANSFIGURATION follows orphaned teen Milo (Eric Ruffin) as he immerses himself in vampire lore to escape his troubled life.

In Queens, New York, 14 year-old Milo is a total outsider. Ignored by his schoolmates and bullied by older children, he takes refuge in the apartment he shares with his older brother. To escape his solitude, he studies vampire mythology, to the point of obsession. Milo hides a terrible secret, but a chance encounter with neighbor Sophie (Chloe Levine) leads him to develop new feelings. But will it be enough to quash his dark urges?

This first feature from writer/director Michael O’Shea took Cannes 2016 by storm, where it competed in Un Certain Regard, and received widespread praise for it’s bold, unusual take on the classic coming of age tale… with added bite.

Special features: Filmmakers’ commentary / Making of / Deleted and extended scenes / trailer Genre: Horror / Drama Language: English with English subtitles Runtime: 93 minutes RRP: £17.99 / £21.99 Cat no: TRL356 / TRL356BD

Fractured Visions Present Bloody Moon & Pieces at The Tramshed , Cardiff July 30th!!

rsz_tatt1Fractured Visions Present Bloody Moon & Pieces at The Tramshed , Cardiff July 30th!!

First there were the Drive-Ins… Then the Grindhouses… Now there’s the Tramshed!

FRACTURED VISIONS present… TERROR AT THE TRAMSHED!

FRACTURED VISIONS are proud to present a double-helping of cult movie madness at Tramshed Cinema. Buckle-up, in first class no-less(!), as we bring you the most depraved, frightening and downright insane slices of genre cinema to the BIG SCREEN!

From the erotic and lacerating Gialli of Italy, to the slice and dice of American Slashers and all the way to the gung-ho and slap happy cinema of the East. Each month, FRACTURED VISIONS are giving movie lovers the opportunity to see the wildest examples of cult film in the comfort of Tramshed’s incredible cinema.

Settle in… Grab a beer… And prepare for the onslaught!

The inaugural event will take fans to the exotic delights of Alicante, Spain and then on to America… via Spain again! With two Spanish Slasher films that lovingly tried their best to ape the films coming from America in the wake of John Carpenter’s Halloween. Needless to say, the results are as frenzied and outrageous as you could possible imagine.

First up is legendary Spanish filmmaker Jesús Franco’s only entry into the demented world of Slasher cinema…

rsz_1tatt1BLOODY MOON!

Lovingly nicknamed Uncle Jess by his many fans, 1981’s Bloody Moon marked a radical shift in tone for its prolific director. Known for his ability to adapt and work within any genre, and we mean any; he dabbled in everything from comedic Spy films to Hardcore porn, Uncle Jess blessed his fans with this lone entry in the Slasher cannon; but what an entry!

The buxom young women of language school in Spain are falling prey to a maniacal psychopath with a penchant for sharp objects. All signs point to the disfigured Miguel, an ex-mental patient with a fondness for his own sister, Manuela. Banned in Britain upon its initial release, Bloody Moon is now once again available, and uncut, for the first time since the British government prosecuted it!

They’ll be finishing the night with Juan Piquer Simón’s outrageous Giallo/Slasher hybrid…

PIECES!

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It’s exactly what you think it is…

You don’t have to go to Texas for a chainsaw massacre!” mocked the tagline, and they were right! Shot mostly in Madrid, while trying their damnedest to pass it off as Boston, Pieces is a loveable attempt to cash-in and follow in the footsteps of Friday the 13th ’s violent excess. Once seen, this film is NEVER forgotten.

A chainsaw-wielding madman is on the loose, terrorising the students of a Boston University. The red herrings pile up as quickly as the corpses, everyone’s a suspect… and everyone is a target!

Juan Piquer Simón is no stranger to dedicated horror fans, having provided us with such titles as Slugs and The Rift ,but with Pieces he delivered his masterpiece in splatter carnage. A global cult phenomenon, Pieces is unlike anything you will have seen before…

Cult film fans are not going to want to miss out on this incredible double-bill; seats will be limited so get your tickets early to avoid disappointment!

FRACTURED VISIONS is headed-up by Phillip Escott and Craig Newman, two Cardiff filmmakers with a life-long passion for genre cinema. Their debut film, CRUEL SUMMER,stars Emmerdale’s Danny Miller and was released in February 2017 following its World Premiere at the biggest, and most prestigious, genre film festival in the UK – FrightFest.

Social Media:  Twitter – @FracVis
http://www.facebook.com/FracturedVisionsUK/

The Tramshed Social Media

@TramshedCF
http://tramshedcardiff.com/
https://www.facebook.com/CinemaatTramshedCardiff/

First Trailer released for Gregory Lamberson’s Johnny Gruesome!! Watch it here.

rsz_jg1First Trailer released for Gregory Lamberson’s Johnny Gruesome!!

Red Hell Movies LLC, in association with Slaughtered Lamb Productions and JFR Productions, has released the first trailer for Johnny Gruesome, written and directed by Gregory Lamberson (Slime City, Killer Rack). The supernatural horror thriller is based on Lamberson’s award-winning 2007 novel, which in turn was based on a screenplay he wrote in 1984, at the age of 19.

Erin Elizabeth Heald is the executive producer of Johnny Gruesome, which Lamberson produced with John Renna and Tamar Lamberson. Anthony De La Torre (“Young Jack Sparrow” in Pirates of the Caribbean: Dead Men Tell No Tales) plays the title role, his first starring vehicle, and served as associate producer.

Michael DeLorenzo (New York Undercover, Resurrection Boulevard) co-stars with a diverse young cast that includes Byron Brown II (The Romans), newcomer Aprilann, Chris Modrzynski (Rainbow Bridge Motel) and Madison Amey. Kim Piazza (Dry Bones) and Richard Lounello (A Mother’s Revenge) are featured as well.

Robby Takac from the Goo Goo Dolls performs the theme song, “Dyin’ Tonight,” which he co-wrote with the film’s composers, Armand John Petri and Joe Rozler. Additional songs were performed by Dean Italiano, Giasone Italiano and Aprilann.

Johnny Gruesome tells the story of Johnny Grissom, a rebellious high school student who is murdered while on a drunken joyride. After his friends conspire to make his death appear accidental, Johnny rises from the grave to exact revenge as a supernatural creature. Lamberson shot the film around Buffalo last year and is now seeking distribution.

Johnny Gruesome Facebook page:
https://www.facebook.com/johnnygruesomezombie/

Horror Channel FrightFest 2017 announces monstrous 18th year line-up!!

FrightFest_HorrorChannel_logo1Horror Channel FrightFest 2017 announces monstrous 18th year line-up.

Back in the heart of London’s West End for its 18th ‘adults-only’ anniversary, the world renowned horror and fantasy film festival will take place at the Cineworld Leicester Square and The Prince Charles Cinema from Aug 24 – Aug 28 2017, taking over five screens to present 64 films including 20 World, 22 European and 18 UK Premieres. Fourteen countries are represented spanning five continents, reflecting the current global popularity of the genre.

The opening night attraction is the global premiere of Universal Pictures Home Entertainment’s criminally entertaining CULT OF CHUCKY, with writer and director Don Mancini and stars Jennifer Tilly and Fiona Dourif in attendance, alongside the iconic deadly doll of destruction himself. This is the seventh instalment for one of cinema’s most terrifying and enduring franchises and will begin its worldwide rollout on Blu-ray™, DVD and Digital in October.

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Cult of Chucky

Mancini said today: “It’s a true pleasure to be hosting the world premiere of CULT OF CHUCKY at FrightFest. I have fond memories of unveiling CURSE OF CHUCKY there in 2013 so it’s great to be returning to the UK’s acknowledged home of horror – especially as this film picks up from where CURSE…left off”.

Two more of the horror genre’s most popular and beloved franchises are given their World Premieres: To celebrate a decade of his cursed Victor Crowley creation, writer/director Adam Green is returning to FrightFest with a version of HATCHET never seen before. Plus, there is a presentation of Julien Maury and Alexandre Bustillo’s LEATHERFACE, the stunning prequel to the terror classic THE TEXAS CHAIN SAW MASSACRE

FrightFest unveiled a bright new directorial talent when it screened Tyler McIntyre’s PATCHWORK at the Glasgow Film Festival and the closing night film is the UK Premiere of his amazing TRAGEDY GIRLS, where HEATHERS meets SCREAM in a dream combo. It stars super-powered heroines Alexandra Shipp and Brianna Hildebrand.

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Tragedy Girls

FrightFest also welcomes back Adam Wingard with the European Premiere of his supernatural manga DEATH NOTE, Joe Lynch with the European Premiere of his highly infectious action thriller MAYHEM, Mickey Keating with the European Premiere of his eye-shattering PSYCHOPATHS, Graham Skipper with the European Premiere of his surreal sci-fi romance SEQUENCE BREAK and genre favourite Barbara Crampton, who stars in Norbert Kell’s skin-crawler REPLACE, receiving its UK Premiere.

In a programme packed with innovation, uniqueness and individuality, other tips of the ice-pick are Ryan Prows’ powerful cult-in-waiting LOWLIFE, Trent Haaga’s stunning 68 KILL, high voltage THE VILLAINESS hot from Cannes, Alex de la Iglesia’s bleakly comic THE BAR, Miguel Angel Vivas’ remake of the French extreme thriller INSIDE, Daniele Misischia’s undead Romageddon THE END? Todd Tuckers’ affectionately creepy THE TERROR OF HALLOWS EVE, Brandon Christensen’s terrifying STILL/BORN, Sebastien Landry & Laurence Morais-Lagace’s head-exploding GAME OF DEATH, Kurtis David Harder’s provocative sci-fi horror INCONTROL and Royce Gorsuch’s kaleidoscopic mindbender MINDHACK.

Continuing the festival’s important and vital commitment to highlighting the cream of the homegrown crop, our British strand is well-populated with World Premieres for Dominic Brunt’s perverted shocker ATTACK OF THE ADULT BABIES, Christian James’ prison-set vampire comedy FANGED UP and Matthew Heaven’s scorching revenge study ACCOUNTABLE. There are also European Premieres for Dominic Bridge’s debut dark morality tale FREEHOLD, Tom Paton’s nerve-shredding REDWOOD and Benjamin Barfoot’s hilariously blood-soaked DOUBLE DATE. And the ‘First Blood’ strand Is back on the menu with five tasty titles: actor Jason Flemyng’s blood-sucking feature debut EAT LOCALS, Louis Melville’s squaddie shocker BOOTS ON THE GROUND, Hendrik Faller’s ice-cold thriller MOUNTAIN FEVER, Michaël Boucherie’s tattoo-terror WHERE THE SKIN LIES and Peter Stray’s alien-invading black comedy CANARIES.

rsz_babiesThe festival’s accent on rising talent is further enriched with Preston DeFrancis’ extreme slasher RUIN ME, Natasha Kermani’s sci-fi fantasy IMITATION GIRL, Clay Staub’s supernatural detective thriller DEVIL’S GATE, Caroline Labrèche and Steeve Léonard’s mesmerising RADIUS, Samuel Galli’s devilishly shocking OUR EVIL, Andrés Goteira’s dazzling DHOGS, David Chirchirillo’s Tinder Terror GOOD MATCH, Tini Tuellman’s spine-chilling psycho suspense thriller FREDDY/EDDY, Haritz Zubillaga’s car-killing giallo THE GLASS COFFIN, Scott Poiley’s hard-edged chiller EXHUME, Adam Graveley’s Aussie outback shocker 3RD NIGHT, Michael Mongillo’s audacious and haunting DIANE, Peter Ricq’s stark comedy DEAD SHACK and Carlos Algara and Alejandro Martinez-Beltran’s gripping psychological twister VERONICA.

Three documentaries will receive their eagerly awaited premieres at FrightFest this year. KING COHEN: THE WILD WORLD OF FILMMAKER LARRY COHEN is a dazzling career overview of the maverick director behind such classic horrors as IT’S ALIVE, Q THE WINGED SERPENT, fantasy television series like ‘The Invaders’, HELL UP IN HARLEM Blaxploitation, recent releases CELLULAR and soon the MANIAC COP remake. We welcome back on screen Kane Hodder, everyone’s favourite Jason Voorhees in the FRIDAY THE 13th series, with his moving and eye-opening TO HELL AND BACK: THE KANE HODDER STORY. Finally there’s the extraordinary MANSFIELD 66/67, a super Hollywood Babylon-style whisk through the final years of movie goddess Jayne Mansfield’s life and untimely, possibly Satanic, death.

Other attractions include Emilia Clarke in VOICE FROM THE STONE, Robert Englund in NIGHTWORLD, the French graphic novel adaptation ALONE, the outrageous gore-fest MEATBALL MACHINE KODOKU, the Aussie chiller KILLING GROUND, the hilarious TOP KNOT DETECTIVE and Episodes 1 & 2 of the amazing Japanese TV series CROW‘S BLOOD. Plus two FrightFest Glasgow hits are being rescreened: Simon Rumley’s FASHIONISTA and Colin Minihan’s IT STAINS THE SANDS RED.

This year’s retrospective restoration strand highlights the underrated British horror DREAM DEMON, RETURN OF THE LIVING DEAD III, two classic Hammers, BLOOD FROM THE MUMMY’S TOMB and DEMONS OF THE MIND, plus the longest version found of the seminal proto-giallo DEATH LAID AN EGG, lovingly restored by Nucleus Films’ Jake West and Marc Morris.

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Mayhem

The Duke Mitchell Film Club is back with a hosted presentation of the UK premiere of Stefan Ruzowsky’s COLD HELL, a gripping serial killer thriller. This is followed by the not-to-be missed DUKE MITCHELL PARTY, where the audience and invited special guests can expect all manner of madness guaranteed to kick off your Saturday late night in style.

Alan Jones, co-director of FrightFest, said today: “The whole cinema landscape is changing and Horror Channel FrightFest is listening. We know the fans want to see the films first, see them fast and see them in an environment that is second to none. That’s why we have what we believe is the finest line-up ever assembled and are showcasing the superlative selection in premium surroundings. So, the West End becomes the Dark Heart of London once again. And we’ve made it to our 18th birthday. It’s going to be quite some party”.

This year’s guest list, special events and the Short Film Showcase entries will all be announced in the coming weeks.

Festival passes will go on sale Sat 1 July at noon and will only be available to buy online: http://www.frightfest.co.uk/tickets.html

Single tickets will go on sale on Sat 29 July from 9am.

For full programme details: http://www.frightfest.co.uk/tickets.html