IN SEARCH OF DARKNESS – THE DEFINITIVE ’80S HORROR DOC
THE DEFINITIVE ’80S HORROR DOCUMENTARY. Bringing the Horror community together to celebrate the most iconic era in cinema history.
The Kickstarter for this amazing project is NOW LIVE and HERE
Be sure to read below and check out their page for how you can not only be a part of this unique horror experience BUT also get one of the many amazing perks available to backers.
The 1980’s exploded onto our screens in a veritable feast of blood, sweat, and chills. Madmen, killers, and evil spirits mingled with aliens, demons and cursed dolls; horrific images burnt directly onto our retinas and etched permanently into our brains. And we loved it.Hearts pounding, palms sweaty, muscles tense; that thrill of creeping dread was matched only by the satisfaction of knowing the person in the next seat was even more terrified.
It showed us how to confront the times we live in through a skewed mirror – all twisted angles and razor edges; ideas and visions so sharp they could almost cut … Continue reading →
FILMFEAR 2018 PROGRAMME ANNOUNCED – HALLOWEEN HORROR FEST RETURNS TO MANCHESTER’S HOME IN ASSOCIATION WITH FILM4
PREVIEWS OF HOTLY ANTICIPATED NEW HORROR HITS, A TRIO OF GENRE CLASSICS AND UNIQUE SPECIAL EVENTS
Fri 26 – Wed 31 Oct
HOME and Film4 are excited to announce the programme for the third annual FilmFear season – six days of horror, extreme cinema, cult favourites and special guests coming to Manchester this October.
Acclaimed Scandi fantasy Border, co-written by the author of Let the Right One In, kicks off the season on 26 Oct and is the first of eight new films from across the globe to screen over the six-day event. A visceral fusion of Nordic noir, social realism and supernatural horror, Border’s genre-defying tone is matched in fellow Swedish title Videoman, a mystery-thriller/relationship-drama that will surprise audiences with its tonal shifts, while the chilling horror St. Agatha from celebrated filmmaker Darren Lynn Bousman (Saw II, III, IV) bolsters the emerging ‘Nunsploitation’ genre. Let the Corpses Tan is a ferocious take on Euro Westerns and Italian crime ‘Poliziotteschi’ genre from Belgian directing … Continue reading →
This year, GRIMMFEST, Manchester’s Festival of Horror, Cult and Fantastic Film, celebrates its 10th anniversary. Get ready for decimation, with the darkest, deadliest line-up yet of wild, weird, witty, thrilling, chilling, blood-spilling movies, every one of them a premiere or cult classic of one kind or another, many with cast and crew in attendance.
But Grimmfest will also be looking back, a little nervously over its shoulder, perhaps, at a decade spent delivering top-quality cinematic carnage to the movie-goers of Manchester, and beyond. Beginning with a return to its bloodsoaked origins, and an anticipation of the future, in a special Festival Preview show on Monday 1st October…
IT’S (STILL) GRIMM UP NORTH!
Originally, the festival was known as “Grimm Up North”, in sardonic acknowledgement of its location, and as a declaration of support for filmmaking in the region. So what could be more appropriate as an anniversary celebration than a special North-West programme, featuring three new shorts … Continue reading →
Mayhem Film Festival announces THE DEVIL’S DOORWAY, MANDY, WHAT KEEPS YOU ALIVE, ONE CUT OF THE DEAD and NIGHTMARE CINEMA
As its 14th edition creeps ever closer, Mayhem Film Festival is proud to announce the next set of titles from this year’s programme.
Mayhem is to present a screening of Aislinn Clarke’s found-footage chiller The Devil’s Doorway. In rural Ireland in 1960, two Catholic priests are sent from the Vatican to investigate reports of miraculous activity in a remote home for ‘fallen women’, only to discover that altogether darker forces may be at work. Mayhem is pleased to welcome director Aislinn Clarke to take part in a post-screening Q&A.
Showing in the festival’s coveted Friday late-night slot, Nicolas Cage goes full… well, Nicolas Cage with a fantastically high-octane performance in Panos Cosmatos’ cosmic revenge thriller Mandy. Pacific Northwest, 1983 AD. Outsiders Red Miller … Continue reading →
GENRE FILM FESTIVAL GRIMMFEST REVEALS FIRST LOOK AT 2018 PROGRAMME AND AWARDS PRIZES
Manchester-based genre film festival GRIMMFEST is delighted to announce the first 3 of many UK premieres lined up for this year’s 10th anniversary edition. The festival can also now reveal details of some very special awards prizes on offer for films in the official selection.
Simeon Halligan, festival director and founder of Grimmfest, says “2018 is a very special year for us and to celebrate this we are proud to welcome back a number of talented filmmakers and actors who’ve shared their work with us over the past decade. We’re also pleased to introduce plenty of new talent to the festival, who we hope to see more work from in the years to come!”
The full festival programme is due to be unleashed on Monday 3rd September 2018, but Grimmfest is whetting audiences’ appetites with an early sneak preview of 3 of this year’s titles.
Grimmfest is thrilled to be hosting the UK Premiere of the much-anticipated NIGHTMARE CINEMA, a weird, wild and most welcome throwback to the classic EC-comics-inspired horror anthologies of the 1970s, from genre giants Alejandro Brugués, Joe Dante, Mick Garris, Ryûhei Kitamura and … Continue reading →
A Life in Blood: Tales of a Horror Queen October 2017
This horror queen recently went to Las Vegas and Los Angeles for film business! In Vegas I attended both Action on Film and Hollywood Dreamz International Film Festivals! Then it was off to Los Angeles to shoot a cameo and do a photo shoot!
My directorial debut, Attack of The Killer Chickens walked away with Best Spoof at Action on Film International Film Festival and came in 2nd place for Best Art Direction at Hollywood Dreamz International Film Festival and Writer’s Celebration. A huge surprise for me and a great honor as a first-time director.
Attack of the Killer Chickens is a short film and my directorial debut. So far it has been accepted to over 20 film festivals and been nominated for numerous awards including Best Actress: Genoveva Rossi in … Continue reading →
Starring- Bill Skarsgard, Jaeden Lieberher, Jeremy Ray Taylor, Sophia Lillis, Finn Wolfhard, Jack Dylan Grazer, Nicholas Hamilton
It’s ironic in the fact that the central terrifying killer clown of Pennywise comes round every 27 years to terrorise and feed on the souls of the children of Derry, Maine where IT is set, is somehow mirrored by how the last adaptation of Stephen King’s novel was also 27 years ago, in the form of a TV mini series. Whilst the TV adaptation suffered from obvious censorship regulations of the television network, some slightly hammy acting from the adult characters of the cast, it sill had a brilliant central performance from Tim Curry as Pennywise, the shape shifting entity who takes the form of the jovial circus clown to prey on children. The new version, which is also known as IT: CHAPTER ONE, has already gone through a couple of other directors, including TRUE DETECTIVE season one director Cary Fukunaga, and has now landed at the feet of MAMA director Andy Muschietti. So how does he fare in … Continue reading →
Director: Richard Rowntree Writers: Matthew Davies (screenplay) Christina Rowntree (based on a short story by) and Richard Rowntree. Starring: Debra Leigh-Taylor, Sam Saunders, Toby Wynne-Davies and Tony Manders.
When Sam returns home to the tidal island where he grew up to attend a funeral, he soon discovers that the seedy underbelly of this small community harbours more than just a few secrets.
Dogged begins by introducing us to Sam (Sam Saunders: Reversible Lines, #Selfie and Absent Friends). Sam is returning from university to the family home on Farthing Island, the tidal island where he grew up. Sam has been summoned home to attend the funeral of Megan Lancaster (Abigail Rylance-Sneddon). Straight away, Sam begins to suspect that something about Megan’s death is being concealed.
There are several reasons for his suspicions. First, and most important, the villagers all look as though they have recently relocated from The League of Gentlemen’s Royston Vasey. They study unfamiliar faces with untrusting curiosity and there’s something in the way they regard Sam that makes it clear there is a ‘them’ and ‘us’ … Continue reading →
Join Che as she plays Netflix Roulette and watches a randomly selected horror film. Will it be awesome? Will it be torture? What horrors await?? Find out every month with Netflix Roulette!
Title: Dream Home
Director: Amir Valinia
Starring: Chantelle Win, Cory Stills, Mia X, Chris Fry
Netflix Rating: 2.4 stars
Seen it before: No
First Impressions: The rating doesn’t look promising, but the director has done music videos, so I’m hoping at least the visuals will be stylish. The description says it’s a haunted house film. At least it better be. I’ve been burned before, and when the description starts going on about Dream Home being a subversion of the American dream… well, a crappy psychological thriller can’t be far behind…
The Verdict: That was really painful to watch. Horrifically cheap production values are the only thing that stands out in this poor excuse for a film. The acting is terrible, the dialogue is bad and the cinematography laughable. Which is alarming considering the director … Continue reading →
A Life in Blood – Tales Of A Horror Queen Sept 2017
Attack of the Killer Chickens had it’s only NYC screening at TromaDance! We celebrated this Horror Queen’s birthday in full b-rated style! This is a FREE event hosted by the king of B himself Lloyd Kaufman and located at The People’s Improv Theater in NYC. It was a huge honor to recently have my directorial debut, Attack of the Killer Chickens screen at TromaDance! It was really awesome to have my film open the film festival!
“Congrats Genoveva! Your film is a fowl masterpiece!” -Lloyd Kaufman
What is TromaDance? The TromaDance Film Festival is a free annual independent film festival organized by Troma Entertainment. Founded in 1999, TromaDance was originally held in Park City and Salt Lake City, Utah, operating concurrently alongside the Sundance Film Festival in order to showcase an independent alternative to Sundance’s perceived mainstream offerings. Between 2010 and 2013, … Continue reading →